Dos registros filmados ao vir a ser filmes para mostras de cinema: experimentações de uma profissional da educação infantil

Would it be possible for cinema training to take place in the school routine itself, in the daily exercise of educating very young children? Would it be possible for this to be done less as a training for a pre-defined cinema than as an affectation for a cinema to be invented right there, in the school-place? In this article we present some experiences of how this training can take place, answering affirmatively to both questions by following and reflecting on the training path of a monitor, co-author of this text, who has worked for over 20 years in public early childhood education schools. In parallel, we experimented with putting into practice the concepts of film and filming developed collectively in previous research, pointing out the potency of becoming which connects them as an important step towards feeling capable of making films in school.

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Publication Details

Journal
Revista USP
Published
2025-06-16
DOI
https://doi.org/10.11606/issn.2316-9036.i145p57-70
Primary Topic
Arts and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Dos registros filmados ao vir a ser filmes para mostras de cinema: experimentações de uma profissional da educação infantil

Wencesláo Machado de Oliveira, Alessia Arena, Gabriela Fiorin Rigotti
Revista USP
Arts and Performance Studies
article

Dos registros filmados ao vir a ser filmes para mostras de cinema: experimentações de uma profissional da educação infantil

Wencesláo Machado de Oliveira, Alessia Arena, Gabriela Fiorin Rigotti
article en

Abstract

Would it be possible for cinema training to take place in the school routine itself, in the daily exercise of educating very young children? Would it be possible for this to be done less as a training for a pre-defined cinema than as an affectation for a cinema to be invented right there, in the school-place? In this article we present some experiences of how this training can take place, answering affirmatively to both questions by following and reflecting on the training path of a monitor, co-author of this text, who has worked for over 20 years in public early childhood education schools. In parallel, we experimented with putting into practice the concepts of film and filming developed collectively in previous research, pointing out the potency of becoming which connects them as an important step towards feeling capable of making films in school.

Revista USP(145)
Universidade Estadual de Campinas (UNICAMP) (BR), Secretaria Municipal de Educação de São Paulo (BR)
Openalex Percentile: Top 86%
Arts and Performance Studies
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