The Localized Application of Calligraphy Inscriptions and Traditional Chinese painting Imagery in Environmental Landscapes: A Case Study of the Lingering Garden Architecture

In the context of globalization, environmental landscapes face the dilemma of cultural homogenization, while the localized experiences of calligraphic inscriptions and Chinese painting imagery in classical gardens offer insights for regional cultural inheritance. This study takes the Lingering Garden as its object, analyzing how its calligraphic inscriptions—relying on carriers such as horizontal inscribed boards and couplets—achieve cultural translation through literary allusions, scholarly spirit, and landscape-related themes. From the dimensions of mountains-rivers, flowers-birds, and artistic conception, Chinese painting imagery constructs a three-dimensional pictorial realm through spatial layout and material color. These two elements deeply interact in content, form, and function, forming a cultural space where inscriptions and scenery mutually enhance each other.

Authors

Publication Details

Journal
Journal of International Education and Development
Published
2025-01-01
DOI
https://doi.org/10.47297/wspiedwsp2516-250028.20250904
Primary Topic
Digital Media and Visual Art
Type
article
Field-Weighted Citation Impact
0.00
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article

The Localized Application of Calligraphy Inscriptions and Traditional Chinese painting Imagery in Environmental Landscapes: A Case Study of the Lingering Garden Architecture

Heung Kou, Guangduo Zhu, Cheng Lu
Journal of International Education and Development
Digital Media and Visual Art
article

The Localized Application of Calligraphy Inscriptions and Traditional Chinese painting Imagery in Environmental Landscapes: A Case Study of the Lingering Garden Architecture

Heung Kou, Guangduo Zhu, Cheng Lu
article en

Abstract

In the context of globalization, environmental landscapes face the dilemma of cultural homogenization, while the localized experiences of calligraphic inscriptions and Chinese painting imagery in classical gardens offer insights for regional cultural inheritance. This study takes the Lingering Garden as its object, analyzing how its calligraphic inscriptions—relying on carriers such as horizontal inscribed boards and couplets—achieve cultural translation through literary allusions, scholarly spirit, and landscape-related themes. From the dimensions of mountains-rivers, flowers-birds, and artistic conception, Chinese painting imagery constructs a three-dimensional pictorial realm through spatial layout and material color. These two elements deeply interact in content, form, and function, forming a cultural space where inscriptions and scenery mutually enhance each other.

Journal of International Education and DevelopmentVol. 9(4)
Openalex Percentile: Top 74%
Digital Media and Visual Art
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