PHOTOSTORIES ABOUT THE WAR IN REPORTERS MAGAZINE: DOCUMENTARY ASPECT

The article reviews scientific publications by Ukrainian and foreign researchers of photography and examines theoretical aspects of modern photodocumentary. The main research methods are content analysis, synthesis, generalization, deduction and induction, and comparison. The description of materials by Ukrainian photojournalists identifies the process of creating visual stories in the printed magazine Reporters. The empirical material analyzed identifies ways of visually reflecting russian aggression. Coverage of the Russian-Ukrainian war requires a professional approach from media representatives, as most of the topics are related to issues of truthfulness and ethics in reflecting reality. The footage of Ukrainian documentarians becomes evidence of tragedy and heroism, and in addition, it performs a special evidentiary function during the highest diplomatic meetings and government meetings. It is the photographs that document the crimes of russian troops that become the main confirmed source of information in international courts and prompt a reaction from Ukrainian partners and the world community as a whole. The issue of ethics in using photo illustrations and stories on media platforms and social networks is relevant, but print media, in which authors cover visual stories, are not left out. Based on the analysis of materials by Ukrainian photojournalists published in Reporters magazine, the significance of documenting the war is highlighted. By examining the published photographs taken during the war, it is possible to trace not only their informational, historical, and evidentiary value but also their cultural and artistic significance. Most of the photographs created by reporters will eventually become the best illustrations for filling the funds of the history of war, textbooks, exhibitions, and media projects. An important perspective in the scientific study of modern photodocumentary is the analysis of reporters’ work during wartime, as well as the identification of distinctive elements of the author’s style in visual storytelling.