Tisekta d twuriwin n yismawen imaẓlayen deg yimahilen iseklanen : asaka n tezlatin n Ǧamal Ɛellam

In this article, which explores the use of proper names in Djamel Allam's songs, we will examine this lexical category that lies between two essential domains: linguistics and literature. In this study, we rely on a little-known approach until now, which is literary onomastics. Djamel Allam is one of the pillars who have significantly contributed to Kabyle songs and Berber culture in general, both within the country and abroad. This is fully manifested in the themes he addresses, particularly in the names of people and places he uses in his songs. Our objective is to analyze the different dimensions that these names can have in his works. AgzulDeg umahil-a ara d-yilin ɣef yismawen imaẓlayen yessemres Ǧamal Ɛellam deg tezlatin-is, ad neɛreḍ ad d-nsuk tiṭ ɣef taggayt-a n umawal i d-yezgan gar snat n taɣulin tigejdanin : tasnilest akked tsekla. Deg tezrawt-nneɣ ad nsenned ɣef yiwen n unekmir yellan armi d tizi n wassa ur yettwasen ara, d anekmir umi neqqar tasnisemt-taseklant. Ǧamal Ɛellam yellan d yiwen gar tgejda yefkan afud d ameqqran i tezlit taqbaylit akked yedles amazigh s umata ama sdaxel n tmurt, ama deg berra n tmurt. Anecta yettban-d s tuget deg yisental iɣef d-yettawi akked yismawen n yimukan d yimdanen i isemres deg tezlatin-is. Deg unamek-a, iswineɣ deg umagrad-a ad yili d anadi ɣef tsekta i zemren ad sɛun yismawen-a deg umahil-is.