Membership categories as interactional resources: cross-performance study in a stand-up comedy routine

This study investigates the use of membership categories (MCs) as interactional resources in stand-up comedy. Adopting a conversation analytical approach, we demonstrate that MCs are frequently employed to gauge receptivity and build up audience responsiveness in the opening stages of stand-up comedy routines. Analysing one comedian’s use of MCs across ten performances of the same routine in a single comedy club setting, we examine how MCs can trigger interactional patterns that ultimately stretch out the delivery of scripted material. Detailed micro-analyses reveal the combined role of syntactic, prosodic, and embodied resources, such as gestures, gaze direction and position shifts, in eliciting and managing audience responses. We find that successful affiliation with MCs depends on a joint orientation between comedian and audience. The findings also suggest that individual reactions to MCs, such as whooping or isolated laughter, generate more complex sequences of interaction, contributing the most to a routine’s elasticity in performance.

Authors

Institutions

Publication Details

Journal
Cahiers de praxématique
Published
2025-01-01
DOI
https://doi.org/10.4000/147hv
Primary Topic
Language, Discourse, Communication Strategies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Membership categories as interactional resources: cross-performance study in a stand-up comedy routine

Olivier Divin
Cahiers de praxématique
Language, Discourse, Communication Strategies
article

Membership categories as interactional resources: cross-performance study in a stand-up comedy routine

Olivier Divin
article en

Abstract

This study investigates the use of membership categories (MCs) as interactional resources in stand-up comedy. Adopting a conversation analytical approach, we demonstrate that MCs are frequently employed to gauge receptivity and build up audience responsiveness in the opening stages of stand-up comedy routines. Analysing one comedian’s use of MCs across ten performances of the same routine in a single comedy club setting, we examine how MCs can trigger interactional patterns that ultimately stretch out the delivery of scripted material. Detailed micro-analyses reveal the combined role of syntactic, prosodic, and embodied resources, such as gestures, gaze direction and position shifts, in eliciting and managing audience responses. We find that successful affiliation with MCs depends on a joint orientation between comedian and audience. The findings also suggest that individual reactions to MCs, such as whooping or isolated laughter, generate more complex sequences of interaction, contributing the most to a routine’s elasticity in performance.

Cahiers de praxématiqueVol. 83
Université Paris Nanterre (FR)
Openalex Percentile: Top 81%
Language, Discourse, Communication Strategies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.