Rekonstruksi Eksistensi Perempuan melalui Kritik Sastra Feminis terhadap Kidung Agung 3:1-5

The participation of women in various spheres of life has witnessed significant progress; however, it is undeniable that patriarchal culture remains deeply entrenched and continues to reproduce discriminatory practices and violence against women, including through religious interpretation. In many instances, religion inadvertently reinforces gender inequality through scriptural interpretations that are predominantly shaped by male perspectives and patriarchal structures. Therefore, a hermeneutical approach is required, one capable of deconstructing such biases and rearticulating the voices of women in a just manner. This study aims to interpret Song of Songs 3:1-5 through the lens of feminist literary criticism, specifically employing the “woman as reader” approach developed by Elaine Showalter. This approach emphasizes the experiences, voices, and agency of women as subjects within the text. Through the stages of interpretation, narrative deconstruction, and critical evaluation, the analysis reveals that the female character in this passage is portrayed as an autonomous individual who demonstrates initiative and actively expresses her love and longing. This representation subtly challenges patriarchal constructions that traditionally position women as passive objects in gender relations. On the other hand, the text also opens a reflective space to examine how women, consciously or unconsciously, may contribute to the perpetuation of systems that oppress them. Consequently, a feminist reading of Song of Songs not only unveils the emancipatory potential within the biblical text but also offers a critical and transformative hermeneutical framework. This represents an effort to reclaim a gender-just theological space and to reimagine sacred scripture as a site of both spiritual and social struggle toward justice and equality.