Neutral and emotive styles of audio description: A reception case study

Audio Description (AD) aims to enhance accessibility and provide inclusive multimedia content for blind and visually impaired audiences. Although still emerging or developing in many locales, several AD guidelines have been established to promote better and more consistent practices. Many established guidelines recommend opting for full objectivity in AD. However, objective ADs have recently faced criticism, leading to a shift away from objectivity in certain dimensions. This study compares the reception of an objective neutral AD style with an innovative emotive style that includes added emotional details. Based on a mixed-methods design, the study included semi-structured in-depth interviews, followed by a quantitative phase using an original questionnaire. These results strongly indicate that emotive AD allows blind audiences to visualize films more effectively than when using the neutral style, akin to the experience of sighted individuals, thereby enhancing their perception of emotions. Contrary to those who emphasize objectivity and neutrality, subjective and emotive narration in emotional scenes is widely accepted by visually impaired Iranian audiences. This finding appears to underscore the need to consider revising the Audio Description: Lifelong Access for the Blind (ADLAB) guidelines.

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Publication Details

Journal
Humanities and Social Sciences Communications
Published
2025-06-21
DOI
https://doi.org/10.1057/s41599-025-05201-3
Citations
1
Primary Topic
Subtitles and Audiovisual Media
Type
article
Field-Weighted Citation Impact
10.42
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article

Neutral and emotive styles of audio description: A reception case study

Azadeh Eriss, Masood Khoshsaligheh, Manjet Kaur Mehar Singh, Peng Cao et al.
1 citations
Humanities and Social Sciences Communications
Subtitles and Audiovisual Media
10.42
article

Neutral and emotive styles of audio description: A reception case study

Azadeh Eriss, Masood Khoshsaligheh, Manjet Kaur Mehar Singh, Peng Cao, Fatemeh Jomhouri, Mohammad Reza Ghaffari
article en
1 citations

Abstract

Audio Description (AD) aims to enhance accessibility and provide inclusive multimedia content for blind and visually impaired audiences. Although still emerging or developing in many locales, several AD guidelines have been established to promote better and more consistent practices. Many established guidelines recommend opting for full objectivity in AD. However, objective ADs have recently faced criticism, leading to a shift away from objectivity in certain dimensions. This study compares the reception of an objective neutral AD style with an innovative emotive style that includes added emotional details. Based on a mixed-methods design, the study included semi-structured in-depth interviews, followed by a quantitative phase using an original questionnaire. These results strongly indicate that emotive AD allows blind audiences to visualize films more effectively than when using the neutral style, akin to the experience of sighted individuals, thereby enhancing their perception of emotions. Contrary to those who emphasize objectivity and neutrality, subjective and emotive narration in emotional scenes is widely accepted by visually impaired Iranian audiences. This finding appears to underscore the need to consider revising the Audio Description: Lifelong Access for the Blind (ADLAB) guidelines.

Humanities and Social Sciences CommunicationsVol. 12(1)
Binghamton University (US), Universiti Sains Malaysia (MY), Allameh Tabataba'i University (IR), Leshan Normal University (CN), Ferdowsi University of Mashhad (IR)
Openalex Percentile: Top 3%
Subtitles and Audiovisual Media
10.42
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Neutral and emotive styles of audio description: A reception case study — Azadeh Eriss, Masood Khoshsaligheh, et al. · Humanities and Social Sciences Communications (2025) | TGRS Research Map | TGRS