Echoes of Past Lives: Remembering a Tour of the Maison de Verre by Mary Vaughan Johnson

This article uses a first-person narrative account of a tour of Pierre Chareau’s Maison de Verre to reexamine the narratives surrounding the building. The Maison de Verre is a work resulting from a close relationship between its principal architect and the clients who commissioned it, Annie and Jean Dalsace. The house is renowned for its glass block façade and mechanized design, but this article shows that it is also an intimate recording of the lives and characters of its original occupants. These past lives are inscribed in the fabric of the space and in the choreography of the house’s mechanisms. The author’s experience of the space is framed by the account of our guide, the late Mary Vaughan Johnson. The recording of the tour maps the emergence of the narratives and the echoes of the past, inscribed in and imprinted on the building, as the author moves through the space.<br/><br/>

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Publication Details

Journal
Architecture and Culture
Published
2025-06-20
DOI
https://doi.org/10.1080/20507828.2025.2490879
Primary Topic
Canadian Identity and History
Type
article
Field-Weighted Citation Impact
0.00

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article

Echoes of Past Lives: Remembering a Tour of the Maison de Verre by Mary Vaughan Johnson

Sally J. Faulder
Architecture and Culture
Canadian Identity and History
article

Echoes of Past Lives: Remembering a Tour of the Maison de Verre by Mary Vaughan Johnson

Sally J. Faulder
article en

Abstract

This article uses a first-person narrative account of a tour of Pierre Chareau’s Maison de Verre to reexamine the narratives surrounding the building. The Maison de Verre is a work resulting from a close relationship between its principal architect and the clients who commissioned it, Annie and Jean Dalsace. The house is renowned for its glass block façade and mechanized design, but this article shows that it is also an intimate recording of the lives and characters of its original occupants. These past lives are inscribed in the fabric of the space and in the choreography of the house’s mechanisms. The author’s experience of the space is framed by the account of our guide, the late Mary Vaughan Johnson. The recording of the tour maps the emergence of the narratives and the echoes of the past, inscribed in and imprinted on the building, as the author moves through the space.<br/><br/>

Architecture and Culture
Queen's University Belfast (GB), Queen's University (CA)
Department of Education and Learning, Northern Ireland, Department for Employment and Learning, Northern Ireland
Openalex Percentile: Top 81%
Canadian Identity and History
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