Aesthetic Reactive Attitudes and Artistic Responsibility

In addition to praising and criticizing works of art, we can and do hold artists responsible for their artistic productions. Building on a suggestion from Susan Wolf, this paper develops a Strawsonian approach to aesthetic responsibility and shows both its attractions and limitations. The proper target of aesthetic reactive attitudes in general is an agent’s quality of aesthetic judgment, and the ‘basic demand’ we make of artists as such is for aesthetic value responsiveness: we expect artists to be counterfactually sensitive to the realization of expected aesthetic value in their productions. In contrast with our moral responsibility responses, we do not expect artists to be able to give their reasons for what they have done, and we allow for fewer artistic exemptions from the basic demand. While this Strawsonian approach sheds light on the nature of creative artistic agency, it fails to capture the full range of our artistic responsibility responses, since it excludes credit and criticism for artists’ (lack of) embodied skill.

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Publication Details

Journal
Philosophers Imprint
Published
2025-06-19
DOI
https://doi.org/10.3998/phimp.7086
Primary Topic
Intellectual Property Law
Type
article
Field-Weighted Citation Impact
0.00
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article

Aesthetic Reactive Attitudes and Artistic Responsibility

Philosophers Imprint
Intellectual Property Law
article

Aesthetic Reactive Attitudes and Artistic Responsibility

article en

Abstract

In addition to praising and criticizing works of art, we can and do hold artists responsible for their artistic productions. Building on a suggestion from Susan Wolf, this paper develops a Strawsonian approach to aesthetic responsibility and shows both its attractions and limitations. The proper target of aesthetic reactive attitudes in general is an agent’s quality of aesthetic judgment, and the ‘basic demand’ we make of artists as such is for aesthetic value responsiveness: we expect artists to be counterfactually sensitive to the realization of expected aesthetic value in their productions. In contrast with our moral responsibility responses, we do not expect artists to be able to give their reasons for what they have done, and we allow for fewer artistic exemptions from the basic demand. While this Strawsonian approach sheds light on the nature of creative artistic agency, it fails to capture the full range of our artistic responsibility responses, since it excludes credit and criticism for artists’ (lack of) embodied skill.

Philosophers ImprintVol. 25(0)
The University of Texas at Austin (US)
Openalex Percentile: Top 77%
Intellectual Property Law
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