New insights into the use of Naples yellow and green earth by Melchior de la Mars

In 2023, the Museum of Fine Arts Ghent acquired a previously unknown painting by the Flemish Caravaggist Melchior de la Mars (before 1590–1650). The painting represents the release of Saint Sebastian by Irene in a Caravaggesque manner. The discovery presented an occasion to conduct a multi-analytical investigation alongside art-historical research and to gain a comprehensive understanding of the painter’s palette and technique. This paper reports the findings on pigment use in relation to what is known about the influence of Caravaggio on the artist. The aim is to address the art-historical question whether De la Mars traveled to Italy to study the art of Caravaggio. The technical investigation of the painting demonstrated the use of Naples yellow and green earth. Both pigments are uncommon for the early seventeenth-century Flemish palette and could indicate a stay in Italy. Two hypotheses are proposed and discussed about a potential Italian sojourn.

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Publication Details

Journal
npj Heritage Science
Published
2025-06-19
DOI
https://doi.org/10.1038/s40494-025-01834-4
Primary Topic
Cultural Heritage Materials Analysis
Type
article
Field-Weighted Citation Impact
0.00

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article

New insights into the use of Naples yellow and green earth by Melchior de la Mars

Astrid Harth, Frederica Van Dam, Koen Janssens, Geert Van der Snickt et al.
npj Heritage Science
Cultural Heritage Materials Analysis
article

New insights into the use of Naples yellow and green earth by Melchior de la Mars

Astrid Harth, Frederica Van Dam, Koen Janssens, Geert Van der Snickt, Lowie Vercruysse
article en

Abstract

In 2023, the Museum of Fine Arts Ghent acquired a previously unknown painting by the Flemish Caravaggist Melchior de la Mars (before 1590–1650). The painting represents the release of Saint Sebastian by Irene in a Caravaggesque manner. The discovery presented an occasion to conduct a multi-analytical investigation alongside art-historical research and to gain a comprehensive understanding of the painter’s palette and technique. This paper reports the findings on pigment use in relation to what is known about the influence of Caravaggio on the artist. The aim is to address the art-historical question whether De la Mars traveled to Italy to study the art of Caravaggio. The technical investigation of the painting demonstrated the use of Naples yellow and green earth. Both pigments are uncommon for the early seventeenth-century Flemish palette and could indicate a stay in Italy. Two hypotheses are proposed and discussed about a potential Italian sojourn.

npj Heritage ScienceVol. 13(1)
University of Antwerp (BE), City University of Hong Kong (HK), Museum of Fine Arts (HU), Royal Museums of Fine Arts of Belgium (BE)
City University of Hong Kong, Universiteit Gent, Universiteit Antwerpen
Openalex Percentile: Top 83%
Cultural Heritage Materials Analysis
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New insights into the use of Naples yellow and green earth by Melchior de la Mars — Astrid Harth, Frederica Van Dam, et al. · npj Heritage Science (2025) | TGRS Research Map | TGRS