‘No time to mourn’1: Female characters and their preapocalyptic activities in the postapocalyptic short story

Marco Caracciolo says ‘postapocalyptic fiction implies and foregrounds a catastrophic rupture between a preapocalyptic and a postapocalyptic state of the storyworld’. This article shows, however, how female characters in postapocalyptic landscapes resist such a rupturing, often by continuing with preapocalyptic activities in a bid to find stability and hope in a ruined or deeply changed world. This critical–creative paper will explore how female characters use preapocalyptic activities, such as list-making or sculpture, to navigate dying or troubled landscapes. The critical element of the article will consider the idea of list-making in Carmen Maria Machado’s short story ‘Inventory’, while the creative element – a postapocalyptic short story called ‘Maybe the Birds’ and which is partially a creative response to Machado – will tell the story of a female potter who decides to make ceramic bird syrinxes, or voice boxes, in a bid to try and keep birdsong alive after most life on Earth ends. In what may be a final act of artistic activism, she hangs these in the trees so her dog can hear them when the wind blows, her legacy being to ‘leave him the birds’ after she has gone.

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Publication Details

Journal
Short Fiction in Theory and Practice
Published
2025-04-01
DOI
https://doi.org/10.1386/fict_00117_1
Primary Topic
Literature, Culture, and Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

‘No time to mourn’1: Female characters and their preapocalyptic activities in the postapocalyptic short story

A. J. Ashworth
Short Fiction in Theory and Practice
Literature, Culture, and Criticism
article

‘No time to mourn’1: Female characters and their preapocalyptic activities in the postapocalyptic short story

A. J. Ashworth
article en

Abstract

Marco Caracciolo says ‘postapocalyptic fiction implies and foregrounds a catastrophic rupture between a preapocalyptic and a postapocalyptic state of the storyworld’. This article shows, however, how female characters in postapocalyptic landscapes resist such a rupturing, often by continuing with preapocalyptic activities in a bid to find stability and hope in a ruined or deeply changed world. This critical–creative paper will explore how female characters use preapocalyptic activities, such as list-making or sculpture, to navigate dying or troubled landscapes. The critical element of the article will consider the idea of list-making in Carmen Maria Machado’s short story ‘Inventory’, while the creative element – a postapocalyptic short story called ‘Maybe the Birds’ and which is partially a creative response to Machado – will tell the story of a female potter who decides to make ceramic bird syrinxes, or voice boxes, in a bid to try and keep birdsong alive after most life on Earth ends. In what may be a final act of artistic activism, she hangs these in the trees so her dog can hear them when the wind blows, her legacy being to ‘leave him the birds’ after she has gone.

Short Fiction in Theory and PracticeVol. 15(1)
Edge Hill University (GB)
Gender equality
Openalex Percentile: Top 85%
Literature, Culture, and Criticism
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