Memory, experience and consumption. The printed and illustrated ephemera of the Archivo Profumo (Buenos Aires, 1910-1980)

Since the nineteenth century and with greater intensity in the twentieth century, an ephemeral graphic imagery invaded everyday life on a previously unknown scale. These objects printed on paper with generally industrial techniques emerged linked to the daily, administrative, economic and pedagogical dimension of urban life and the consumer society of industrial capitalism. Often destined to be discarded after a specific use, some of them remained in public or private collections and were preserved for their symbolic, aesthetic or emotional value. In Argentina, the vast majority of these prints have been lost, neglected, or found in fragmented collections, rarely known, dispersed in sets grouped by their use or theme. They have been rejected by high culture and relegated by academic research. However, these devices, as part of the common graphic heritage, shaped the visual and material culture of the past, and treasure experiences and a collective social memory. For these reasons, the Profumo Archive represents a unique case in the local sphere, as it brings together a collection that, due to its features and dimensions, stands out from other public or private collections in the country.

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Publication Details

Journal
react/review a responsive journal for art and architecture
Published
2025-06-18
DOI
https://doi.org/10.5070/r5.40225
Primary Topic
Photographic and Visual Arts
Type
article
Field-Weighted Citation Impact
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article

Memory, experience and consumption. The printed and illustrated ephemera of the Archivo Profumo (Buenos Aires, 1910-1980)

Sandra Szir, جاك فون زيلاير
react/review a responsive journal for art and architecture
Photographic and Visual Arts
article

Memory, experience and consumption. The printed and illustrated ephemera of the Archivo Profumo (Buenos Aires, 1910-1980)

Sandra Szir, جاك فون زيلاير
article en

Abstract

Since the nineteenth century and with greater intensity in the twentieth century, an ephemeral graphic imagery invaded everyday life on a previously unknown scale. These objects printed on paper with generally industrial techniques emerged linked to the daily, administrative, economic and pedagogical dimension of urban life and the consumer society of industrial capitalism. Often destined to be discarded after a specific use, some of them remained in public or private collections and were preserved for their symbolic, aesthetic or emotional value. In Argentina, the vast majority of these prints have been lost, neglected, or found in fragmented collections, rarely known, dispersed in sets grouped by their use or theme. They have been rejected by high culture and relegated by academic research. However, these devices, as part of the common graphic heritage, shaped the visual and material culture of the past, and treasure experiences and a collective social memory. For these reasons, the Profumo Archive represents a unique case in the local sphere, as it brings together a collection that, due to its features and dimensions, stands out from other public or private collections in the country.

react/review a responsive journal for art and architectureVol. 5(0)
Sustainable cities and communities
Openalex Percentile: Top 86%
Photographic and Visual Arts
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Memory, experience and consumption. The printed and illustrated ephemera of the Archivo Profumo (Buenos Aires, 1910-1980) — Sandra Szir, جاك فون زيلاير · react/review a responsive journal for art and architecture (2025) | TGRS Research Map | TGRS