The Image of Songshutang in Poems about the Western Regions in the Qing Dynasty

清代西域诗中的松树塘意象，既是自然景观的纪实书写，又是诗人情感、品格及文化认同的复合载体。其通过地理、历史与人文的多维交织，成为边疆诗歌中兼具美学价值与社会意义的典型意象。这一意象的丰富性，既源于西域独特的地域环境，也折射出清代民族交融与中华文化整合的深层脉络。The image of the pine pond in the poems of the Western Regions of the Qing Dynasty is not only a documentary writing of the natural landscape, but also a composite carrier of the poet’s emotion, character and cultural identity. Through the multi-dimensional interweaving of geography, history and humanities, it has become a typical image of both aesthetic value and social significance in frontier poetry. The richness of this image not only stems from the unique regional environment of the Western Regions, but also reflects the deep context of ethnic integration and Chinese cultural integration in the Qing Dynasty.