The Zeitgeist of Longyuan: The Simple and Honest Colors of Gansu Oil Paintings Selected for The 14th National Exhibition of Fine Arts

“The 14th National Exhibition of Fine Arts Oil Painting Exhibition” Gansu selected fourteen pieces of oil paintings. Over the past five years, Gansu oil painters have firmly grasped the pulse of the new era, focusing on capturing the humanistic concern and scanning the reality of people's livelihood at the present time, and highlighting the spirit of the nation while embodying the aesthetic orientation of truth, goodness and beauty. This paper takes the current art exhibition of Gansu oil paintings as the vision, discusses the new changes of Gansu oil paintings in the new period, which not only shows that Gansu oil painters are based on Longyuan plateau land, promote the sense of responsibility and mission of Chinese excellent traditional culture in artistic creation. But also presents the simple color of Gansu oil paintings, expresses the development of the society and the historical changes in the language of oil paintings, and shapes the social life, political culture and people's image of Gansu in the new period, building up a unique Longyuan zeitgeist.

Authors

Institutions

Publication Details

Journal
Critical humanistic social theory.
Published
2025-06-16
DOI
https://doi.org/10.62177/chst.v2i2.424
Primary Topic
Color perception and design
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

The Zeitgeist of Longyuan: The Simple and Honest Colors of Gansu Oil Paintings Selected for The 14th National Exhibition of Fine Arts

X. Yue
Critical humanistic social theory.
Color perception and design
article

The Zeitgeist of Longyuan: The Simple and Honest Colors of Gansu Oil Paintings Selected for The 14th National Exhibition of Fine Arts

X. Yue
article en

Abstract

“The 14th National Exhibition of Fine Arts Oil Painting Exhibition” Gansu selected fourteen pieces of oil paintings. Over the past five years, Gansu oil painters have firmly grasped the pulse of the new era, focusing on capturing the humanistic concern and scanning the reality of people's livelihood at the present time, and highlighting the spirit of the nation while embodying the aesthetic orientation of truth, goodness and beauty. This paper takes the current art exhibition of Gansu oil paintings as the vision, discusses the new changes of Gansu oil paintings in the new period, which not only shows that Gansu oil painters are based on Longyuan plateau land, promote the sense of responsibility and mission of Chinese excellent traditional culture in artistic creation. But also presents the simple color of Gansu oil paintings, expresses the development of the society and the historical changes in the language of oil paintings, and shapes the social life, political culture and people's image of Gansu in the new period, building up a unique Longyuan zeitgeist.

Critical humanistic social theory.Vol. 2(2)
Northwest Normal University (CN)
Openalex Percentile: Top 84%
Color perception and design
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.