Renaissance Vienna Under the Ottoman Threat: Rethinking the Biblical Imagery of the City (1532–1559)

The topos of Vienna as the “stronghold of Christendom” emerged soon after the 1529 unsuccessful siege by the Ottomans. The city’s new strategic status not only spurred the building of new urban fortifications, it also stimulated the production of a large variety of printed texts and pictures that emphasized the necessity of Christian unity among divided Christians. In this context, this article aims to shed new light on the use of one Old Testament episode whose significance and polysemy has been largely overlooked for sixteenth-century Vienna: the attack of Jerusalem by the Assyrian King Sennacherib and his subsequent defeat through divine intervention under the city wall. Instrumental in defining a common spiritual approach to the fight, this Old Testament story can be considered a seminal basis for the paradigm of Vienna as a Jerusalem of unity and unanimity. To analyze the significance of this theme in Vienna, this article will first focus on its representation in Hanns Lautensack’s 1558/1559 famous cityscape before demonstrating that it originated from a far less known source: the 1532 sermons by the Bishop Johann Fabri.

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Publication Details

Journal
Religions
Published
2025-06-17
DOI
https://doi.org/10.3390/rel16060784
Primary Topic
Reformation and Early Modern Christianity
Type
article
Field-Weighted Citation Impact
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article

Renaissance Vienna Under the Ottoman Threat: Rethinking the Biblical Imagery of the City (1532–1559)

Clarisse Roche
Religions
Reformation and Early Modern Christianity
article

Renaissance Vienna Under the Ottoman Threat: Rethinking the Biblical Imagery of the City (1532–1559)

Clarisse Roche
article en

Abstract

The topos of Vienna as the “stronghold of Christendom” emerged soon after the 1529 unsuccessful siege by the Ottomans. The city’s new strategic status not only spurred the building of new urban fortifications, it also stimulated the production of a large variety of printed texts and pictures that emphasized the necessity of Christian unity among divided Christians. In this context, this article aims to shed new light on the use of one Old Testament episode whose significance and polysemy has been largely overlooked for sixteenth-century Vienna: the attack of Jerusalem by the Assyrian King Sennacherib and his subsequent defeat through divine intervention under the city wall. Instrumental in defining a common spiritual approach to the fight, this Old Testament story can be considered a seminal basis for the paradigm of Vienna as a Jerusalem of unity and unanimity. To analyze the significance of this theme in Vienna, this article will first focus on its representation in Hanns Lautensack’s 1558/1559 famous cityscape before demonstrating that it originated from a far less known source: the 1532 sermons by the Bishop Johann Fabri.

ReligionsVol. 16(6)
United Arab Emirates University (AE)
Openalex Percentile: Top 87%
Reformation and Early Modern Christianity
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