“THE DEAD TSAR IS SITTING IN FURS.”: A GEOPOETICAL COMMENTARY ON NIKOLAI ZABOLOTSKII’S “LUTONIA’S CHILDHOOD”

This is a study of the geopoetics of Nikolai Alekseevich Zabolotskii’s poem “Lutonia’s Child- hood,” which scholarly works on Zabolotskii have so far overlooked. This poem, however, is especially interesting because it is the only work by Zabolotskii that echoes traditional imagery and genres of Russian folklore: children’s games and fairy tales, which used to be a part of peasants’ family life. The outcome of this study will surprise even the natives of St. Petersburg: very few of them know what hides behind the mysterious line “The dead tsar is sitting in furs.” This line in fact refers to an item that, along with other specific sculptural attributes used in the tsar’s portrait, has become a symbol of Russia’s state power.

Authors

Publication Details

Journal
Texts and History Journal of Philological Historical and Cultural Texts and History Studies
Published
2025-01-01
DOI
https://doi.org/10.31860/2712-7591-2025-1-259-268
Primary Topic
Comparative Literary Analysis and Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

“THE DEAD TSAR IS SITTING IN FURS.”: A GEOPOETICAL COMMENTARY ON NIKOLAI ZABOLOTSKII’S “LUTONIA’S CHILDHOOD”

Tat’yana S. Tsar’kova
Texts and History Journal of Philological Historical and Cultural Texts and History Studies
Comparative Literary Analysis and Criticism
article

“THE DEAD TSAR IS SITTING IN FURS.”: A GEOPOETICAL COMMENTARY ON NIKOLAI ZABOLOTSKII’S “LUTONIA’S CHILDHOOD”

Tat’yana S. Tsar’kova
article en

Abstract

This is a study of the geopoetics of Nikolai Alekseevich Zabolotskii’s poem “Lutonia’s Child- hood,” which scholarly works on Zabolotskii have so far overlooked. This poem, however, is especially interesting because it is the only work by Zabolotskii that echoes traditional imagery and genres of Russian folklore: children’s games and fairy tales, which used to be a part of peasants’ family life. The outcome of this study will surprise even the natives of St. Petersburg: very few of them know what hides behind the mysterious line “The dead tsar is sitting in furs.” This line in fact refers to an item that, along with other specific sculptural attributes used in the tsar’s portrait, has become a symbol of Russia’s state power.

Texts and History Journal of Philological Historical and Cultural Texts and History StudiesVol. 1
Openalex Percentile: Top 86%
Comparative Literary Analysis and Criticism
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