"Atribución a Juan Adán Morlán del conjunto escultórico Nuestra Señora de Belén del Convento de Santa Cruz de Córdoba"

This article is part of the research conducted during the author’s doctoral thesis La pintura italiana en las colecciones del vi conde de Monterrey [The Italian painting in the collections of the VI Count of Monterrey], defended in 2021 at the University of Salerno and whose chapter is dedicated to the study of the paths of disintegration of the collection has remained unpublished until now. The work not only clarifies some of the fate of several artworks that Manuel de Zúñiga kept in his residence, but also opens new lines of research into whereabouts, which may range from Galician churches and convents to a Roman collection.