"Figuras literarias, escultóricas y pictóricas. Hacia unas calas intermediales para leer la obra de Marga Gil Roësset"

The hypothesis of this work is based on the presence of intermedial clues –sculpture, painting, poetry–, as we will see some specific and others transversal, among the three plastic mediums in which Marga Gil Roësset (1908-1932) expresses her sensitivity, her vision of living and, unfortunately, of dying. First, a series of contextual data are presented and taken into account that can help to understand the content, form and meaning of the multifaceted work of Marga Gil Roësset. The three mediums in which Marga Gil expressed herself are then analyzed, to try to define in a final section the borders and points of contact between her multiple and original artistic creations.