Digital Technology and Music Creation: The Impact of AI-Assisted Composition on the Aesthetics of Contemporary Classical Music

This article analyses how AI-enabled composition can affect the beauty of today's classical music.Underpinned by theoretical investigation and detailed case study analysis, this study looks into the ways that AI is shifting the processes of creation, the aesthetic values, and even the worth of art in classical music.This study is interdisciplinary, integrating musical analysis, critique of the creative work, and cultural contextualisation.It asserts that the aid of an AI in composition is contested at many levels including creative agency, traditional notions of music, and aesthetic value, and this synthesis permits the formulation of new forms of musical representation and modern aesthetic considerations.Emily Howell's "Opus 1" and Shih-Wei Lo's "From The Future World" exemplify the blending of novelty and traditional elements in emotionally sensitive pieces of music produced with the assistance of A.I.In the end, the author asserts that AI can enrich creative possibilities in classical music; however, it also poses considerable difficulties which require continuous critique, holistic studies, and the ideal fusion of advancement with the safeguarding of fundamental humanitarian factors of music.

Authors

Publication Details

Journal
ZKG international
Published
2025-01-01
DOI
https://doi.org/10.63386/618795
Primary Topic
Music Technology and Sound Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Digital Technology and Music Creation: The Impact of AI-Assisted Composition on the Aesthetics of Contemporary Classical Music

Shengwen Zhang, Liu Jin
ZKG international
Music Technology and Sound Studies
article

Digital Technology and Music Creation: The Impact of AI-Assisted Composition on the Aesthetics of Contemporary Classical Music

Shengwen Zhang, Liu Jin
article en

Abstract

This article analyses how AI-enabled composition can affect the beauty of today's classical music.Underpinned by theoretical investigation and detailed case study analysis, this study looks into the ways that AI is shifting the processes of creation, the aesthetic values, and even the worth of art in classical music.This study is interdisciplinary, integrating musical analysis, critique of the creative work, and cultural contextualisation.It asserts that the aid of an AI in composition is contested at many levels including creative agency, traditional notions of music, and aesthetic value, and this synthesis permits the formulation of new forms of musical representation and modern aesthetic considerations.Emily Howell's "Opus 1" and Shih-Wei Lo's "From The Future World" exemplify the blending of novelty and traditional elements in emotionally sensitive pieces of music produced with the assistance of A.I.In the end, the author asserts that AI can enrich creative possibilities in classical music; however, it also poses considerable difficulties which require continuous critique, holistic studies, and the ideal fusion of advancement with the safeguarding of fundamental humanitarian factors of music.

ZKG internationalVol. 25(1)
Openalex Percentile: Top 88%
Music Technology and Sound Studies
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Digital Technology and Music Creation: The Impact of AI-Assisted Composition on the Aesthetics of Contemporary Classical Music — Shengwen Zhang, Liu Jin · ZKG international (2025) | TGRS Research Map | TGRS