Concept of Time in the Poem Autumn Walks behind the Wall of Life… by B. Poplavsky

Concept of time and its presentation in the poem “Autumn walks behind the wall of life…” by B. Poplavsky are studied in the article. This poem is analyzed according to the theoretical approach of the poet to the nature of time, categories of fluidity, episodic, problem of memory and recollections in the context of European and antic philosophy. In the poem temporal motives become central and correlate with categories of music, nature elements, religion, antinomies of life and death, eternity and fleeting nature of life. Time is a peculiar endless sphere, where due to the spirit of music all epochs and spaces are merged. This determines the existence of two temporal paradigms: earth-living and cosmic-divine. The image of wall is the threshold between entity and otherness, the passage through it is equivalent to the soul leaving the boundaries of flesh and еру world of time to the kingdom of heaven. The development of the imaginary structure from limitation to infinity is connected with this disembodiment movement.

Authors

Publication Details

Journal
Philology & Human
Published
2024-09-18
DOI
https://doi.org/10.14258/filichel(2024)3-07
Primary Topic
Discourse Analysis and Cultural Communication
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Concept of Time in the Poem Autumn Walks behind the Wall of Life… by B. Poplavsky

Глеб М. Маматов
Philology & Human
Discourse Analysis and Cultural Communication
article

Concept of Time in the Poem Autumn Walks behind the Wall of Life… by B. Poplavsky

Глеб М. Маматов
article en

Abstract

Concept of time and its presentation in the poem “Autumn walks behind the wall of life…” by B. Poplavsky are studied in the article. This poem is analyzed according to the theoretical approach of the poet to the nature of time, categories of fluidity, episodic, problem of memory and recollections in the context of European and antic philosophy. In the poem temporal motives become central and correlate with categories of music, nature elements, religion, antinomies of life and death, eternity and fleeting nature of life. Time is a peculiar endless sphere, where due to the spirit of music all epochs and spaces are merged. This determines the existence of two temporal paradigms: earth-living and cosmic-divine. The image of wall is the threshold between entity and otherness, the passage through it is equivalent to the soul leaving the boundaries of flesh and еру world of time to the kingdom of heaven. The development of the imaginary structure from limitation to infinity is connected with this disembodiment movement.

Philology & Human(3)
Openalex Percentile: Top 50%
Discourse Analysis and Cultural Communication
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.