«It was the first time that we met»: Frau Rettich, die Czerni und Ich (1998) o Cómo el cine alemán descubrió Barcelona

The 1998 film adaptation of Frau Rettich, die Czerni und ich, the debut novel by Simone Borowiak, ushered in the Barcelona era in German cinema and television, which is still strong today. The road movie tells the story of three women on their way from Frankfurt to Catalonia, where one of them wants to get married. In order to make the novel suitable for the screen, various love stories were incorporated, turning the film into an early culture clash comedy while inscribing it in the literary tradition of the adventurous quest. The conspicuous presence of multilingualism for the time and for German cinema indicates that this is also a distinctly European perspective on the genre. Barcelona is staged as a touristically attractive metropolis that presents a counterpoint to Frankfurt and thus, once again, the cultural north-south axis of Europe, which is linked to various characterological and climatological theories, is staged.

Publication Details

Journal
Revista de Filología de la Universidad de La Laguna
Published
2025-01-01
DOI
https://doi.org/10.25145/j.refiull.2025.50.10
Primary Topic
German Colonialism and Identity Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

«It was the first time that we met»: Frau Rettich, die Czerni und Ich (1998) o Cómo el cine alemán descubrió Barcelona

Revista de Filología de la Universidad de La Laguna
German Colonialism and Identity Studies
article

«It was the first time that we met»: Frau Rettich, die Czerni und Ich (1998) o Cómo el cine alemán descubrió Barcelona

article en

Abstract

The 1998 film adaptation of Frau Rettich, die Czerni und ich, the debut novel by Simone Borowiak, ushered in the Barcelona era in German cinema and television, which is still strong today. The road movie tells the story of three women on their way from Frankfurt to Catalonia, where one of them wants to get married. In order to make the novel suitable for the screen, various love stories were incorporated, turning the film into an early culture clash comedy while inscribing it in the literary tradition of the adventurous quest. The conspicuous presence of multilingualism for the time and for German cinema indicates that this is also a distinctly European perspective on the genre. Barcelona is staged as a touristically attractive metropolis that presents a counterpoint to Frankfurt and thus, once again, the cultural north-south axis of Europe, which is linked to various characterological and climatological theories, is staged.

Revista de Filología de la Universidad de La Laguna(50)
Openalex Percentile: Top 86%
German Colonialism and Identity Studies
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«It was the first time that we met»: Frau Rettich, die Czerni und Ich (1998) o Cómo el cine alemán descubrió Barcelona · Revista de Filología de la Universidad de La Laguna (2025) | TGRS Research Map | TGRS