Bakhtin and Russian literature between the centuries: Two incidents

The article reconstructs Bakhtin’s concept of carnival laughter with reference to two turn-of-the-century authors: L. Andreev and K. Sluchevsky. The latter was described as ‘a voice outside the chorus’ by Bakhtin in his Author and Hero in Aesthetic Activity [ Avtor i geroy v esteticheskoy deyatelnosti ]. This formula is projected onto the protagonist of Sluchevsky’s cycle Mephistopheles . Andreev’s short story ‘Laughter’ [‘Smekh’] shows Christmas carolling turning into a tragedy of solitude: the hero cannot share in everybody’s joyful festivities. Laughter becomes a destructive force devoid of the usual rejuvenating purpose. The two writers demonstrate a crisis of carnival laughter: it loses its relatability because of the censoring of the traditional culture of laughter. The comparison between Sluchevsky’s and Andreev’s texts illustrates the transformation of the mediaeval concept of a carnival in the literature of decadence.

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Publication Details

Journal
Voprosy literatury
Published
2025-06-12
DOI
https://doi.org/10.31425/0042-8795-2025-3-115-128
Primary Topic
Russian Literature and Bakhtin Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Bakhtin and Russian literature between the centuries: Two incidents

Natalia M. Dolgorukova, M. O. Karmaza
Voprosy literatury
Russian Literature and Bakhtin Studies
article

Bakhtin and Russian literature between the centuries: Two incidents

Natalia M. Dolgorukova, M. O. Karmaza
article en

Abstract

The article reconstructs Bakhtin’s concept of carnival laughter with reference to two turn-of-the-century authors: L. Andreev and K. Sluchevsky. The latter was described as ‘a voice outside the chorus’ by Bakhtin in his Author and Hero in Aesthetic Activity [ Avtor i geroy v esteticheskoy deyatelnosti ]. This formula is projected onto the protagonist of Sluchevsky’s cycle Mephistopheles . Andreev’s short story ‘Laughter’ [‘Smekh’] shows Christmas carolling turning into a tragedy of solitude: the hero cannot share in everybody’s joyful festivities. Laughter becomes a destructive force devoid of the usual rejuvenating purpose. The two writers demonstrate a crisis of carnival laughter: it loses its relatability because of the censoring of the traditional culture of laughter. The comparison between Sluchevsky’s and Andreev’s texts illustrates the transformation of the mediaeval concept of a carnival in the literature of decadence.

Voprosy literatury(3)
National Research University Higher School of Economics (RU)
Openalex Percentile: Top 85%
Russian Literature and Bakhtin Studies
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