De la războiul sexelor la cunoașterea de sine în Scorpia de Anne Tyler

The study analyzes Anne Tyler՚s novel, Vinegar Girl, as a narrative rewrite of the well-known Shakespearean comedy The Taming of the Shrew, part of the Hogarth–Shakespeare project, started in 2015. Two levels on which the American writer՚s rewriting innovates are pursued: the discursive changes due to the change in the mode (from mimesis to diegesis, in the Aristotelian sense) and those related to the recontextualization of the subject and the infusion of a contemporary, post-feminist ethos. Anne Tyler emphasizes not the undermining of the misogynistic vision that was imputed to Shakespeare, but the relationship of the female character with her own self that she discovers through the “other”, the other sex. The novel gives a current response to the traditional imaginary of the struggle for domination between the sexes by proposing the formula of “similarity in difference” as a modus vivendi in the couple, but also in a broader, socio-cultural horizon.

Authors

Publication Details

Journal
Journal of Humanistic and Social Studies
Published
2025-01-01
DOI
https://doi.org/10.56177/jhss.1.16.2025.art.4
Primary Topic
Shakespeare, Adaptation, and Literary Criticism
Type
article
Field-Weighted Citation Impact
0.00
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article

De la războiul sexelor la cunoașterea de sine în Scorpia de Anne Tyler

Florica Bodiștean
Journal of Humanistic and Social Studies
Shakespeare, Adaptation, and Literary Criticism
article

De la războiul sexelor la cunoașterea de sine în Scorpia de Anne Tyler

Florica Bodiștean
article en

Abstract

The study analyzes Anne Tyler՚s novel, Vinegar Girl, as a narrative rewrite of the well-known Shakespearean comedy The Taming of the Shrew, part of the Hogarth–Shakespeare project, started in 2015. Two levels on which the American writer՚s rewriting innovates are pursued: the discursive changes due to the change in the mode (from mimesis to diegesis, in the Aristotelian sense) and those related to the recontextualization of the subject and the infusion of a contemporary, post-feminist ethos. Anne Tyler emphasizes not the undermining of the misogynistic vision that was imputed to Shakespeare, but the relationship of the female character with her own self that she discovers through the “other”, the other sex. The novel gives a current response to the traditional imaginary of the struggle for domination between the sexes by proposing the formula of “similarity in difference” as a modus vivendi in the couple, but also in a broader, socio-cultural horizon.

Journal of Humanistic and Social StudiesVol. 16(1)
Openalex Percentile: Top 86%
Shakespeare, Adaptation, and Literary Criticism
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