WORKS BY F. CHOPIN IN THE REPERTOIRE OF CONTEMPORARY JAPANESE PIANISTS

The phenomenon of the emergence of interest in the works of F. Chopin in Japan is analyzed through the prism of the introduction in this country of the tradition of piano performance, which was initiated in the Meiji era (1868–1912). The socio-political, economic and cultural factors that contributed to the penetration and popularization of the piano in Japan are analyzed. The leading Japanese corporations manufacturing keyboard musical instruments (pianos, grand pianos, modern digital models) are presented. A list of the earliest foreign piano teachers and their performances in concerts with works by Chopin in the late 19th and early 20th centuries are provided, in which Japanese pianists began to be increasingly involved. The chronology of the participation and achievements of Japanese pianists at the International Chopin Piano Competition in Warsaw is considered. The given concrete examples emphasize the great interest of Japanese musicians in the work of the Polish composer. The latest international Chopin piano competitions are presented – the Asian one, held in Tokyo, and the Chopin Music Performance Competition on Antique Instruments, in which Japanese pianists take the most active part. A quantitative and qualitative analysis of the participation of Japanese musicians in such creative competitions in comparison with representatives of other countries in the East Asian region is carried out. The names of some modern bright Japanese pianist-teachers from higher musical institutions of a number of Japanese cities are given – propagandists of Chopin’s work, who combine performing and pedagogical activities. Conclusions are drawn regarding the leading role of Japanese musicians in encouraging the broad masses of the population of many countries in the East Asian region to listen to the musical masterpieces of the Polish piano genius. Prospects for further research are outlined, which consist in a detailed study of the specifics of interpretations of Chopin’s compositions by Japanese pianists on antique instruments and the identification of specific national features in the interpretation of Chopin’s works.