Investigating the printing techniques and light sensitivity of the Tyler Graphics Bag by Frank Stella

The Tyler Graphics Bag (1984), named for master printer Kenneth Tyler (b. 1913), was designed by artist Frank Stella (1936–2024) and printed as a limited-edition shopping bag commissioned by Dayton’s department store to promote the Walker Art Center in Minneapolis. The pigments and printing processes used for the bag were investigated, and analyses included optical microscopy, multispectral imaging (MSI), Raman spectroscopy, and large-area micro-X-ray fluorescence (XRF) scanning. The findings suggest a photomechanical color-separation printing process using commercial colorants. Further investigation of the media and support with micro-Fourier transform infrared spectroscopy (µ-FTIR) identified energy-curable epoxy acrylate ink on bleached Kraft paper. Microfade testing (MFT) additionally indicated that some industrial works on paper could be as lightfast as bespoke ones. Archival research reveals that Stella and Tyler Graphics created working proofs that seem to be earlier iterations of the final design; however, these findings confirm that the Tyler Graphics Bag was printed industrially.

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Publication Details

Journal
npj Heritage Science
Published
2025-06-11
DOI
https://doi.org/10.1038/s40494-025-01778-9
Primary Topic
3D Surveying and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00

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article

Investigating the printing techniques and light sensitivity of the Tyler Graphics Bag by Frank Stella

Dongwon Lee, Abed Haddad, Caroline Carlsmith
npj Heritage Science
3D Surveying and Cultural Heritage
article

Investigating the printing techniques and light sensitivity of the Tyler Graphics Bag by Frank Stella

Dongwon Lee, Abed Haddad, Caroline Carlsmith
article en

Abstract

The Tyler Graphics Bag (1984), named for master printer Kenneth Tyler (b. 1913), was designed by artist Frank Stella (1936–2024) and printed as a limited-edition shopping bag commissioned by Dayton’s department store to promote the Walker Art Center in Minneapolis. The pigments and printing processes used for the bag were investigated, and analyses included optical microscopy, multispectral imaging (MSI), Raman spectroscopy, and large-area micro-X-ray fluorescence (XRF) scanning. The findings suggest a photomechanical color-separation printing process using commercial colorants. Further investigation of the media and support with micro-Fourier transform infrared spectroscopy (µ-FTIR) identified energy-curable epoxy acrylate ink on bleached Kraft paper. Microfade testing (MFT) additionally indicated that some industrial works on paper could be as lightfast as bespoke ones. Archival research reveals that Stella and Tyler Graphics created working proofs that seem to be earlier iterations of the final design; however, these findings confirm that the Tyler Graphics Bag was printed industrially.

npj Heritage ScienceVol. 13(1)
City University of New York (US), Museum of Modern Art (US)
Smithsonian Institution, National Endowment for the Humanities, Andrew W. Mellon Foundation, York University
Openalex Percentile: Top 80%
3D Surveying and Cultural Heritage
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Investigating the printing techniques and light sensitivity of the Tyler Graphics Bag by Frank Stella — Dongwon Lee, Abed Haddad, et al. · npj Heritage Science (2025) | TGRS Research Map | TGRS