A Study on the Literary Classicization of Pan Yue’s “The Idle Life”

潘岳《闲居赋》的经典化过程具有一定的特殊性。相较于大多赋作历经代代发掘、步步推高的经典化过程，《闲居赋》的经典化之路走得更为艰辛。作为抒情丽赋，《闲居赋》在追求美文的南北朝时期就得到了极大的关注和追捧；隋唐时期，《闲居赋》在隐逸思潮的起伏背景下以“隐”的面目引起广大文士的强烈共鸣；宋元时期，《闲居赋》的“高情”表达与潘岳“拜路尘”形象的相悖掀起了长达千年的争论浪潮；明清时期，《闲居赋》作为争论热潮，在潘岳“因人废文”的背景下继续潜行；近代以来，众多文学研究者在理性的反思下将《闲居赋》的经典地位逐渐巩固。The classicization process of Pan Yue’s “The Idle Life” has certain particularity. Compared with the classicization of most Fu, which has been explored and promoted step by step for generations, the classicization of “The Idle Life” is more difficult. As a lyrical and beautiful Fu, “The Idle Life” received great attention and pursuit in the Southern and Northern Dynasties. In Sui and Tang dynasties, “The Idle Life” caused a strong resonance among the scholars in the background of the trend of seclusion. During the Song and Yuan dynasties, the contradiction between the pursuit of elegance expressed in the “The Idle Life” and the image of Pan Yue’s excessive pursuit of fame and fortune set off a millennia-long wave of controversy. In the Ming and Qing Dynasties, as a hot debate, “The Idle Life” continued to sneak under the background of Pan Yue’s literature being abolished because of immoral behavior. Since modern times, many literary researchers have gradually consolidated the classic status of “The Idle Life” under the rational reflection.