(RE)APPRAISING THE PARTHENON FRIEZE: ‘DIVINESPACE’ AND ‘MORTALSPACE’

Abstract This study examines the Ionic frieze of the Parthenon, focussing on the concept of ‘Divinespace’ and ‘Mortalspace’ within its artistic composition. I examine how divinities and mortal figures are depicted in specifically designated spaces and how they intersect during the Panathenaic procession. Notably, two gods, Aphrodite and Hermes, are observed crossing into ‘Mortalspace’, identified by the two groups of athlothetai —officials responsible for the festival’s organization. The casual nature of their presence and the lack of awareness shown towards divine intrusions add depth to the understanding of ancient Greek religious art and rituals. By analysing votive reliefs from the Athenian Akropolis and by comparing them to the frieze, this research sheds light on the intricacies of the depiction and symbolism in this remarkable ancient artwork.