A Study on the Aesthetic Representation of Lois Fusek’s English Translation of “<i>Among</i> <i>the</i> <i>Flowers</i>” from the Translation Aesthetic Perspective

《花间集》是中国词体文学的奠基之作，奠定了婉约词的美学风格。刘宓庆翻译美学理论系统构建了形式与非形式美学体系，为文学翻译提供了科学的方法论。本文以刘宓庆翻译美学理论为指导，选取美国汉学家傅恩的《花间集》英译本，从形式系统和非形式系统两个方面研究其英译的审美再现，以期为中国古典文学英译研究提供新角度。“Among the Flowers” is the foundational work of Chinese ci poetry and established the aesthetic style of the graceful and restrained school. Liu Miqing’s theory of translation aesthetics systematically constructs a framework of formal and non-formal aesthetics, offering a scientific methodology for literary translation. Guided by Liu’s theory, this paper examines the aesthetic reproduction in the English translation of “Among the Flowers” by American sinologist Lois Fusek, focusing on both the formal and non-formal systems. This study attempts to provide a fresh perspective for the study of English translations of classical Chinese literature.