Building Political Identity through Visual Affective Polarisation on Instagram : A Comparison of Six European Far-Right Parties

This article compares the power of visual affective polarisation on Instagram among six European far-right political parties with the aim of enhancing academic knowledge about the manner in which these parties construct their political identity through visual symbols, rhetoric, and imagery to appeal to their target audiences and convey their ideologies. Through quantitative content analysis of Instagram visuals posted on Instagram by the six main European far-right parties during a two-month period, we focused on content-related and format-related variables, as well as technical features, to analyse those visuals as denotative, connotative and ideological systems from the visual framing model perspective. Findings revealed significant differences in the visual framing strategies among these European far-right political parties, pointing to the complexity in identifying a common pattern in their strategic visual communication regarding affective polarisation. This study contributes to the existing literature on visual communication and affective polarisation strategies in politics.

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Publication Details

Journal
KOME
Published
2025-01-01
DOI
https://doi.org/10.17646/kome.of.21
Primary Topic
Social Media and Politics
Type
article
Field-Weighted Citation Impact
0.00

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article

Building Political Identity through Visual Affective Polarisation on Instagram : A Comparison of Six European Far-Right Parties

Rocío Zamora Medina, Remzie Shahini-Hoxhaj, Dren Gërguri
1 links
KOME
Social Media and Politics
article

Building Political Identity through Visual Affective Polarisation on Instagram : A Comparison of Six European Far-Right Parties

Rocío Zamora Medina, Remzie Shahini-Hoxhaj, Dren Gërguri
article en

Abstract

This article compares the power of visual affective polarisation on Instagram among six European far-right political parties with the aim of enhancing academic knowledge about the manner in which these parties construct their political identity through visual symbols, rhetoric, and imagery to appeal to their target audiences and convey their ideologies. Through quantitative content analysis of Instagram visuals posted on Instagram by the six main European far-right parties during a two-month period, we focused on content-related and format-related variables, as well as technical features, to analyse those visuals as denotative, connotative and ideological systems from the visual framing model perspective. Findings revealed significant differences in the visual framing strategies among these European far-right political parties, pointing to the complexity in identifying a common pattern in their strategic visual communication regarding affective polarisation. This study contributes to the existing literature on visual communication and affective polarisation strategies in politics.

KOMEVol. 13(1)
University of Prishtina (XK), Universidad de Murcia (ES)
Ministerio de Ciencia e Innovación
Openalex Percentile: Top 85%
Social Media and Politics
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