On the thresholds of the ongoing archive for endless performances

Ongoing archive for endless performance is a practical investigation into creating a performative archive in which the movements and tasks written for women in the form of declarative instructions in plays at different times are observed and experimented with. By selecting texts, extracting the instructions from the scene descriptions and compiling them into narratives, this archive explores a range of actions and works that have historically been desired, commanded and expected of women. In this research-based performative archive, based on the idea of remembering and recycling the past, the creators attempt to propose an open space for critique through enactment, intervention and defiance, and to reflect on the politics of scores, which are closely linked to issues of representation, appropriation, accessibility and agency of women. The exposure of the posed acts subsequently reveals the withdrawn acts, which were withheld from women in their experience of mobility and visibility on stage and beyond. In line with the processual approach of the work, the Ongoing Archive has grown over the past two years in Tehran, Mynämäki, Beirut, Berlin, Mannheim and Essen.

Authors

Publication Details

Journal
Maska
Published
2025-04-01
DOI
https://doi.org/10.1386/maska_00209_1
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

On the thresholds of the ongoing archive for endless performances

Azade Shahmiri
Maska
Theatre and Performance Studies
article

On the thresholds of the ongoing archive for endless performances

Azade Shahmiri
article en

Abstract

Ongoing archive for endless performance is a practical investigation into creating a performative archive in which the movements and tasks written for women in the form of declarative instructions in plays at different times are observed and experimented with. By selecting texts, extracting the instructions from the scene descriptions and compiling them into narratives, this archive explores a range of actions and works that have historically been desired, commanded and expected of women. In this research-based performative archive, based on the idea of remembering and recycling the past, the creators attempt to propose an open space for critique through enactment, intervention and defiance, and to reflect on the politics of scores, which are closely linked to issues of representation, appropriation, accessibility and agency of women. The exposure of the posed acts subsequently reveals the withdrawn acts, which were withheld from women in their experience of mobility and visibility on stage and beyond. In line with the processual approach of the work, the Ongoing Archive has grown over the past two years in Tehran, Mynämäki, Beirut, Berlin, Mannheim and Essen.

MaskaVol. 40(225)
Gender equality
Openalex Percentile: Top 88%
Theatre and Performance Studies
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On the thresholds of the ongoing archive for endless performances — Azade Shahmiri · Maska (2025) | TGRS Research Map | TGRS