my body

This poem was written after a sexual assault at a conference and heeds Moussawi’s (2022) call to center affect and “bad feelings” in our writing. Embracing Rosamond King’s (2019) call for radical interdisciplinarity and Audre Lorde’s (1984) assertation that poetry is not a luxury, I write how the sexual assault was both traumatic and familiar. The poem and methodological note that follows aims to open up conversations about what it means to study feelings, the body, and embodiment when for many, we are detached from our bodies. For those who have experienced traumatic events, our mind and body often disassociate, and this specter of trauma and disembodiment haunts the lives of women of color.

Authors

Publication Details

Journal
Departures in Critical Qualitative Research
Published
2025-01-01
DOI
https://doi.org/10.1525/dcqr.2025.14.2.37
Primary Topic
Social and Cultural Dynamics
Type
article
Field-Weighted Citation Impact
0.00
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article

my body

Victoria Reyes
Departures in Critical Qualitative Research
Social and Cultural Dynamics
article

my body

Victoria Reyes
article en

Abstract

This poem was written after a sexual assault at a conference and heeds Moussawi’s (2022) call to center affect and “bad feelings” in our writing. Embracing Rosamond King’s (2019) call for radical interdisciplinarity and Audre Lorde’s (1984) assertation that poetry is not a luxury, I write how the sexual assault was both traumatic and familiar. The poem and methodological note that follows aims to open up conversations about what it means to study feelings, the body, and embodiment when for many, we are detached from our bodies. For those who have experienced traumatic events, our mind and body often disassociate, and this specter of trauma and disembodiment haunts the lives of women of color.

Departures in Critical Qualitative ResearchVol. 14(2)
Openalex Percentile: Top 83%
Social and Cultural Dynamics
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my body — Victoria Reyes · Departures in Critical Qualitative Research (2025) | TGRS Research Map | TGRS