Art, social media and religious discourse in Nigeria: Unpacking Okonkwo’s Facebook challenge illustrations

The purpose of this study is to extend a scholarly reading of Jide Okonkwo’s digital illustrations, which he referred to as the Daily Bible Illustration Challenge (DBIC). The study aims to deepen our understanding of the relationship between art, religion and the social interventions that occur between them. It problematizes the limited academic engagement with these relationships in Nigeria and Africa. Here, ‘the artistic’ and ‘the religious’ refer to a set of cross-mediated biblical renderings through which Jide Okonkwo, a prominent Nigerian digital artist, posed a social media challenge. The concept of a ‘challenge’ alludes to the ‘ALS Ice Bucket Challenge’ that gained widespread traction on social media in 2014. This article’s context of socio-religious mediation and visuality is framed within social semiotics as an interpretive tool. The compositions are analysed based on their visual properties and accompanying texts. Ultimately, Okonkwo’s works serve as a valuable medium of communication and engagement on religion, art and social mediation, with their relevance extending beyond Nigeria to a global audience.

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Publication Details

Journal
Journal of African Media Studies
Published
2025-03-01
DOI
https://doi.org/10.1386/jams_00136_1
Primary Topic
Digital Games and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

Art, social media and religious discourse in Nigeria: Unpacking Okonkwo’s Facebook challenge illustrations

Chukwunonso Uzoagba, Ogechukwu Miracle Uzoagba, Trevor Vermont Morgan, Nnaemeka Chibuike Egwuibe et al.
Journal of African Media Studies
Digital Games and Media
article

Art, social media and religious discourse in Nigeria: Unpacking Okonkwo’s Facebook challenge illustrations

Chukwunonso Uzoagba, Ogechukwu Miracle Uzoagba, Trevor Vermont Morgan, Nnaemeka Chibuike Egwuibe, Thankgod I. Igwenagu
article en

Abstract

The purpose of this study is to extend a scholarly reading of Jide Okonkwo’s digital illustrations, which he referred to as the Daily Bible Illustration Challenge (DBIC). The study aims to deepen our understanding of the relationship between art, religion and the social interventions that occur between them. It problematizes the limited academic engagement with these relationships in Nigeria and Africa. Here, ‘the artistic’ and ‘the religious’ refer to a set of cross-mediated biblical renderings through which Jide Okonkwo, a prominent Nigerian digital artist, posed a social media challenge. The concept of a ‘challenge’ alludes to the ‘ALS Ice Bucket Challenge’ that gained widespread traction on social media in 2014. This article’s context of socio-religious mediation and visuality is framed within social semiotics as an interpretive tool. The compositions are analysed based on their visual properties and accompanying texts. Ultimately, Okonkwo’s works serve as a valuable medium of communication and engagement on religion, art and social mediation, with their relevance extending beyond Nigeria to a global audience.

Journal of African Media StudiesVol. 17(1)
University of Nigeria (NG)
Openalex Percentile: Top 83%
Digital Games and Media
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