Hatchett’s Brown (Van Dyck Red) in Oil Paintings—The Rediscovery of a Forgotten Pigment: Identification and the Historical–Technological Context

Hatchett’s Brown, also known as Van Dyck Rose, was a unique pigment used in the 19th century, discovered and described by Charles Hatchett in 1803. This article presents the results of research on the identification of this pigment in the works of Henryk Siemiradzki and a 17th-century painting that was overpainted in the 19th century. Advanced analytical techniques, such as XRF, SEM-EDS, and Raman spectroscopy, were used to analyze pigments from the painter’s palette and the paint layers. This study sheds light on the use of Hatchett’s Brown in painting and its potential impact on the interpretation of historical overpainting.

Authors

Institutions

Publication Details

Journal
Heritage
Published
2025-06-07
DOI
https://doi.org/10.3390/heritage8060217
Primary Topic
Cultural Heritage Materials Analysis
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Hatchett’s Brown (Van Dyck Red) in Oil Paintings—The Rediscovery of a Forgotten Pigment: Identification and the Historical–Technological Context

Anna Klisińska‐Kopacz, Justyna Olszewska‐Świetlik
Heritage
Cultural Heritage Materials Analysis
article

Hatchett’s Brown (Van Dyck Red) in Oil Paintings—The Rediscovery of a Forgotten Pigment: Identification and the Historical–Technological Context

Anna Klisińska‐Kopacz, Justyna Olszewska‐Świetlik
article en

Abstract

Hatchett’s Brown, also known as Van Dyck Rose, was a unique pigment used in the 19th century, discovered and described by Charles Hatchett in 1803. This article presents the results of research on the identification of this pigment in the works of Henryk Siemiradzki and a 17th-century painting that was overpainted in the 19th century. Advanced analytical techniques, such as XRF, SEM-EDS, and Raman spectroscopy, were used to analyze pigments from the painter’s palette and the paint layers. This study sheds light on the use of Hatchett’s Brown in painting and its potential impact on the interpretation of historical overpainting.

HeritageVol. 8(6)
Nicolaus Copernicus University (PL), National Museum in Kraków (PL)
Openalex Percentile: Top 84%
Cultural Heritage Materials Analysis
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Hatchett’s Brown (Van Dyck Red) in Oil Paintings—The Rediscovery of a Forgotten Pigment: Identification and the Historical–Technological Context — Anna Klisińska‐Kopacz, Justyna Olszewska‐Świetlik · Heritage (2025) | TGRS Research Map | TGRS