The heating rate matters! contact heat evoked potentials in musicians and non-musicians

Classical musical training requires extreme levels of fine motor control, resulting in adaptive neuroplastic alterations in professional musicians. Additionally, musicians have a high prevalence of pain syndromes, which makes them an interesting group to research the influence of neuroplasticity on nociception. This report consists of two parts. Firstly, we present the results of a preliminary study comparing musicians and non-musicians with respect to their cortical responses to noxious heat stimuli at their hands and feet, using contact heat evoked potentials (CHEPs). Secondly, we quantitatively discuss the influence of the heating rates of two different stimulation devices on CHEPs when applying the exact same settings. For this, we measured the temperature curves of the devices' stimuli and connected their respective heating rates to the resulting CHEPs. Musicians showed a significantly larger <mml:math xmlns:mml="http://www.w3.org/1998/Math/MathML"><mml:msub><mml:mi>N</mml:mi> <mml:mn>2</mml:mn></mml:msub> </mml:math> latency difference between hands and feet (20.86 ms, <mml:math xmlns:mml="http://www.w3.org/1998/Math/MathML"><mml:mi>p</mml:mi> <mml:mo>=</mml:mo> <mml:mn>0.0045</mml:mn></mml:math> ), compared to non-musicians. Additionally, we found that, despite the exact same settings, different stimulation devices produced considerably different temperature curves. The resulting time difference between the stimulation devices of 104.78 ms explains the latency difference of the CHEPs produced by the respective device of 104.09 ms extremely well. This study underlines that musicians are an interesting model for neuroplasticity regarding nociception, as they respond differently to nociceptive stimuli. Moreover, it contributes to the understanding of the connection between a stimulation device's heating rate and the resulting CHEPs, an important finding that has never been quantified before but has considerable consequences on the comparability of results.

Authors

Institutions

Publication Details

Journal
Frontiers in Pain Research
Published
2025-06-09
DOI
https://doi.org/10.3389/fpain.2025.1555034
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

The heating rate matters! contact heat evoked potentials in musicians and non-musicians

André Lee, Fabian Sternkopf, Catherine R. Jutzeler, Paulina S. Scheuren
3 links
Frontiers in Pain Research
Neuroscience and Music Perception
article

The heating rate matters! contact heat evoked potentials in musicians and non-musicians

André Lee, Fabian Sternkopf, Catherine R. Jutzeler, Paulina S. Scheuren
article en

Abstract

Classical musical training requires extreme levels of fine motor control, resulting in adaptive neuroplastic alterations in professional musicians. Additionally, musicians have a high prevalence of pain syndromes, which makes them an interesting group to research the influence of neuroplasticity on nociception. This report consists of two parts. Firstly, we present the results of a preliminary study comparing musicians and non-musicians with respect to their cortical responses to noxious heat stimuli at their hands and feet, using contact heat evoked potentials (CHEPs). Secondly, we quantitatively discuss the influence of the heating rates of two different stimulation devices on CHEPs when applying the exact same settings. For this, we measured the temperature curves of the devices' stimuli and connected their respective heating rates to the resulting CHEPs. Musicians showed a significantly larger <mml:math xmlns:mml="http://www.w3.org/1998/Math/MathML"><mml:msub><mml:mi>N</mml:mi> <mml:mn>2</mml:mn></mml:msub> </mml:math> latency difference between hands and feet (20.86 ms, <mml:math xmlns:mml="http://www.w3.org/1998/Math/MathML"><mml:mi>p</mml:mi> <mml:mo>=</mml:mo> <mml:mn>0.0045</mml:mn></mml:math> ), compared to non-musicians. Additionally, we found that, despite the exact same settings, different stimulation devices produced considerably different temperature curves. The resulting time difference between the stimulation devices of 104.78 ms explains the latency difference of the CHEPs produced by the respective device of 104.09 ms extremely well. This study underlines that musicians are an interesting model for neuroplasticity regarding nociception, as they respond differently to nociceptive stimuli. Moreover, it contributes to the understanding of the connection between a stimulation device's heating rate and the resulting CHEPs, an important finding that has never been quantified before but has considerable consequences on the comparability of results.

Frontiers in Pain ResearchVol. 6
SIB Swiss Institute of Bioinformatics (CH), University of British Columbia (CA), TUM Klinikum (DE), ETH Zurich (CH), Hanover University of Music Drama and Media (DE), International Collaboration On Repair Discoveries (CA)
Openalex Percentile: Top 88%
Neuroscience and Music Perception
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.