Twenty Years of a World Culture Museum: Between Wonder, Discomfort, and Repair

This essay reflects critically on the 25-year journey of the Museum of World Culture in Gothenburg, Sweden. Originally envisioned as a radical, dialogical, and experimental institution, the museum has evolved under shifting political agendas and institutional leadership. The text explores tensions between its founding ideals and current practices, focusing on the lack of sustained engagement with collections, underrepresentation of descendant communities, and internal structural inequalities. Drawing on theoretical insights by Jette Sandahl and others, the essay interrogates how ethnographic museums risk reproducing colonial dynamics even while claiming inclusivity. Ultimately, it calls for grounded, riskembracing, and justice-oriented museological practices, advocating for a future where the museum dares to listen, transform, and even step aside.

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Publication Details

Journal
Collections A Journal for Museum and Archives Professionals
Published
2025-06-08
DOI
https://doi.org/10.1177/15501906251345425
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
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article

Twenty Years of a World Culture Museum: Between Wonder, Discomfort, and Repair

Adriana Muñoz
Collections A Journal for Museum and Archives Professionals
Museums and Cultural Heritage
article

Twenty Years of a World Culture Museum: Between Wonder, Discomfort, and Repair

Adriana Muñoz
article en

Abstract

This essay reflects critically on the 25-year journey of the Museum of World Culture in Gothenburg, Sweden. Originally envisioned as a radical, dialogical, and experimental institution, the museum has evolved under shifting political agendas and institutional leadership. The text explores tensions between its founding ideals and current practices, focusing on the lack of sustained engagement with collections, underrepresentation of descendant communities, and internal structural inequalities. Drawing on theoretical insights by Jette Sandahl and others, the essay interrogates how ethnographic museums risk reproducing colonial dynamics even while claiming inclusivity. Ultimately, it calls for grounded, riskembracing, and justice-oriented museological practices, advocating for a future where the museum dares to listen, transform, and even step aside.

Collections A Journal for Museum and Archives ProfessionalsVol. 21(4)
National Museums of World Culture (SE)
Openalex Percentile: Top 87%
Museums and Cultural Heritage
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