A Study on the Discourse of Political Correctness: Depoliticization in the Little Mermaid, Kim Ji-young, Born 1982 and 1987

This study examines the depoliticization of “political correctness” (PC) in contemporary cultural content through the cases of Kim Ji-young, Born 1982, and Disney’s The Little Mermaid (2023). Originally, a political practice aimed at addressing structural inequality, PC has shifted to a consumer-driven norm shaped by market strategies and audience preferences. As institutional censorship weakens, PC increasingly functions as a form of cultural regulation, branding, and identity signaling. Drawing on theories from Althusser, Barthes, Jenkins, Laclau, and Mouffe, the study explores how PC discourse is restructured through meme culture, transmedia convergence, and digital capitalism. It argues that PC today is political in form but depoliticized in function, operating as a tool for controversy and commodification rather than collective action. This paper calls for reengagement with PC as a political practice, not just a cultural preference.

Authors

Publication Details

Journal
TECHART Journal of Arts and Imaging Science
Published
2025-05-31
DOI
https://doi.org/10.15323/techart.2025.5.12.2.11
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

A Study on the Discourse of Political Correctness: Depoliticization in the Little Mermaid, Kim Ji-young, Born 1982 and 1987

H Cho, Yusung Kim
TECHART Journal of Arts and Imaging Science
Asian Culture and Media Studies
article

A Study on the Discourse of Political Correctness: Depoliticization in the Little Mermaid, Kim Ji-young, Born 1982 and 1987

H Cho, Yusung Kim
article en

Abstract

This study examines the depoliticization of “political correctness” (PC) in contemporary cultural content through the cases of Kim Ji-young, Born 1982, and Disney’s The Little Mermaid (2023). Originally, a political practice aimed at addressing structural inequality, PC has shifted to a consumer-driven norm shaped by market strategies and audience preferences. As institutional censorship weakens, PC increasingly functions as a form of cultural regulation, branding, and identity signaling. Drawing on theories from Althusser, Barthes, Jenkins, Laclau, and Mouffe, the study explores how PC discourse is restructured through meme culture, transmedia convergence, and digital capitalism. It argues that PC today is political in form but depoliticized in function, operating as a tool for controversy and commodification rather than collective action. This paper calls for reengagement with PC as a political practice, not just a cultural preference.

TECHART Journal of Arts and Imaging ScienceVol. 12(2)
Reduced inequalities
Openalex Percentile: Top 85%
Asian Culture and Media Studies
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