Imploding between the facts and concerns: analysing human–AI musical interaction
Abstract The advancement of AI-tools for musical performance has inspired exciting opportunities for interaction with musical-AI-agents. Interactions between humans and AI-agents in musical settings entail dynamic exchanges of control and power, and framings of AI-agents’ roles by human performers. We probe these framings and power-control exchanges through qualitative thematic lenses, drawing from post-phenomenology, matters of fact and concern and feminist science and technology studies. We contribute with a novel interdisciplinary analytical method as a tool for developers and designers of AI systems to help visibilise and examine the implicit , the wider connections and entangled filaments in Human–AI musical interactions.
Authors
- Anna-Kaisa Kaila (ORCID: https://orcid.org/0000-0002-7605-0093)
- André Holzapfel (ORCID: https://orcid.org/0000-0003-1679-6018)
- Petra Jääskeläinen (ORCID: https://orcid.org/0000-0002-0028-9030)
- Kelsey Cotton (ORCID: https://orcid.org/0000-0002-2802-0244)
- Kıvanç Tatar (ORCID: https://orcid.org/0000-0003-4133-8641)
Institutions
- Chalmers University of Technology (SE)
- KTH Royal Institute of Technology (SE)
Publication Details
- Journal
- Humanities and Social Sciences Communications
- Published
- 2025-06-03
- DOI
- https://doi.org/10.1057/s41599-025-04533-4
- Primary Topic
- Music Technology and Sound Studies
- Type
- article
- Field-Weighted Citation Impact
- 0.00
Funders
- Vetenskapsrådet
- Göteborgs Universitet
- Marcus och Amalia Wallenbergs minnesfond