From Novel to Film: Tracing the Evolution of Feminism via the Plots Adaptations of Pride and Prejudice in the 1940 and 2005 Version

This research focuses on the film adaptations of Jane Austens Pride and Prejudice (1813) in plots. Compared to Pride and Prejudice (1940) directed by Robert Leonard and Joe Wirghts Pride and Prejudice (2005), this research explores the evolution of feminism and how these two film adaptations reflect on the waves of feminism during their periods. Robert Leonards Pride and Prejudice (1940) is relevant to the first wave of feminism while Pride and Prejudice (2005) by Joe Wright could relate to the third wave of feminism. To prove the points mentioned above, this research analyses the adaptations of plots in the 1940 and 2005 version and argues that both show association with the waves of feminism during their periods via plots adaptations. The connection between Pride and Prejudice (1940) and the first wave of feminism could be shown in the pursuit of womens equal rights through adaptations. Meanwhile, Pride and Prejudice (2005) reflects on the third wave of feminism via advocacy of womens empowerment and development, as well as the promotion of gender equality by challenging traditional values.