Resilience And Resistance: Women’s Agency In Aidoo’s Our Sister Killjoy And Ousmane Sembene’s Xala

This paper provides a comparative examination of women’s agency and intertextuality in Ama Ata Aidoo’s Our Sister Killjoy and Ousmane Sembène’s Xala, focusing on their roles within post-colonial African societies. The analysis explores how both authors portray the struggles of African women against the backdrop of cultural, social, and colonial oppression. In her work, Aidoo presents Sissie, a young Ghanaian woman who navigates the complexities of colonialism, diaspora, and migration. Sissie’s journey from Ghana to Europe exposes her to racial discrimination and cultural dislocation, highlighting her struggle for identity and agency. Conversely, Sembène’s work satirizes the power dynamics and polygamy in post-colonial Senegal through the character of El Hadji, a businessman whose impotency symbolizes his moral and societal corruption. The women in Xala reflect varying degrees of submission and resistance to patriarchal norms, with characters like Rama showing a nascent challenge to these structures. Both West African novels use interior monologues and flashbacks to depict the protagonists' inner conflicts and societal constraints. While Aidoo’s Sissie actively confronts and critiques the racial and cultural prejudices she encounters, the women in Sembène’s narrative are primarily portrayed within the confines of traditional and neocolonial expectations. The paper argues that despite these differences, both works underscore the persistent patriarchal subjugation and the nuanced ways African women navigate and resist these constraints. The comparative analysis reveals a shared theme of women's resilience and the therapeutic power of female solidarity, illustrating a progression from traditional subjugation to modern self-assertion in the face of ongoing patriarchal oppression. The study concludes that while resistance methods differ, Aidoo and Sembène emphasize the critical need for women's agency in overcoming the multifaceted challenges of post-colonial African societies.

Authors

Institutions

Publication Details

Journal
East African Journal of Arts and Social Sciences
Published
2025-05-30
DOI
https://doi.org/10.37284/eajass.8.2.3071
Primary Topic
South African History and Culture
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Resilience And Resistance: Women’s Agency In Aidoo’s Our Sister Killjoy And Ousmane Sembene’s Xala

Remmy Shiundu Barasa
East African Journal of Arts and Social Sciences
South African History and Culture
article

Resilience And Resistance: Women’s Agency In Aidoo’s Our Sister Killjoy And Ousmane Sembene’s Xala

Remmy Shiundu Barasa
article en

Abstract

This paper provides a comparative examination of women’s agency and intertextuality in Ama Ata Aidoo’s Our Sister Killjoy and Ousmane Sembène’s Xala, focusing on their roles within post-colonial African societies. The analysis explores how both authors portray the struggles of African women against the backdrop of cultural, social, and colonial oppression. In her work, Aidoo presents Sissie, a young Ghanaian woman who navigates the complexities of colonialism, diaspora, and migration. Sissie’s journey from Ghana to Europe exposes her to racial discrimination and cultural dislocation, highlighting her struggle for identity and agency. Conversely, Sembène’s work satirizes the power dynamics and polygamy in post-colonial Senegal through the character of El Hadji, a businessman whose impotency symbolizes his moral and societal corruption. The women in Xala reflect varying degrees of submission and resistance to patriarchal norms, with characters like Rama showing a nascent challenge to these structures. Both West African novels use interior monologues and flashbacks to depict the protagonists' inner conflicts and societal constraints. While Aidoo’s Sissie actively confronts and critiques the racial and cultural prejudices she encounters, the women in Sembène’s narrative are primarily portrayed within the confines of traditional and neocolonial expectations. The paper argues that despite these differences, both works underscore the persistent patriarchal subjugation and the nuanced ways African women navigate and resist these constraints. The comparative analysis reveals a shared theme of women's resilience and the therapeutic power of female solidarity, illustrating a progression from traditional subjugation to modern self-assertion in the face of ongoing patriarchal oppression. The study concludes that while resistance methods differ, Aidoo and Sembène emphasize the critical need for women's agency in overcoming the multifaceted challenges of post-colonial African societies.

East African Journal of Arts and Social SciencesVol. 8(2)
Kenyatta University (KE)
Openalex Percentile: Top 84%
South African History and Culture
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.