Photo-Essay of the Migrant Home: Doing International Political Sociology and Engaging the Other “Other”

Abstract Presented in a photo-essay format, this article highlights the immediacy, simultaneity, and possibility of home and transnational relations. Visualizing European urban spaces as constituted by mundane migratory processes, the photo-essay recognizes the everyday struggles of people who are staying rather than moving. Attention is directed towards the discursive, affective, and material labor of grounding a migrant home. The methodological originality of the photo-essay lies in the unmuting of the scholar's analytical voice. The photo-essay is the process and result of an interlegible dialogue between racialized others. That is to say, I combine the narrative and the visual to study a specific migrant home, and throughout this process, I reserve a voice for myself as I recount the life history of a Cape Verdean and his homemaking projects in Portugal. The visual narrative opens a window onto fieldwork dynamics and invites questions of other “other” learning.

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Publication Details

Journal
International Political Sociology
Published
2025-04-17
DOI
https://doi.org/10.1093/ips/olaf012
Primary Topic
Migration, Refugees, and Integration
Type
article
Field-Weighted Citation Impact
0.00

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article

Photo-Essay of the Migrant Home: Doing International Political Sociology and Engaging the Other “Other”

Kaian Lam
International Political Sociology
Migration, Refugees, and Integration
article

Photo-Essay of the Migrant Home: Doing International Political Sociology and Engaging the Other “Other”

Kaian Lam
article en

Abstract

Abstract Presented in a photo-essay format, this article highlights the immediacy, simultaneity, and possibility of home and transnational relations. Visualizing European urban spaces as constituted by mundane migratory processes, the photo-essay recognizes the everyday struggles of people who are staying rather than moving. Attention is directed towards the discursive, affective, and material labor of grounding a migrant home. The methodological originality of the photo-essay lies in the unmuting of the scholar's analytical voice. The photo-essay is the process and result of an interlegible dialogue between racialized others. That is to say, I combine the narrative and the visual to study a specific migrant home, and throughout this process, I reserve a voice for myself as I recount the life history of a Cape Verdean and his homemaking projects in Portugal. The visual narrative opens a window onto fieldwork dynamics and invites questions of other “other” learning.

International Political SociologyVol. 19(2)
University of Macau (MO)
Universidade de Macau
Reduced inequalities
Openalex Percentile: Top 84%
Migration, Refugees, and Integration
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