Between Voice(lessness), Silence, and Noise: Sonic Reconstruction of the Asylum Seekers’ Paradigm

Abstract This article is structured around snapshots of everyday life in reception centres for asylum seekers. These set the tone of the sonic and affective dimensions of the experience of the centre, as narrated by a resident, a music teacher, and through ethnographic reflections. The article devises ‘voice’ as a distinct category of the sonic spectrum, imbued with the significance of testifying to human existence, in a twofold way: first as a theoretical lens that offers new perspectives on the asylum seekers’ paradigm, and second, as a methodological tool to gain insights into aspects of everyday life in a reception centre, and by extension gaining access into ‘other’ social worlds that would otherwise remain concealed.

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Publication Details

Journal
Royal Musical Association Research Chronicle
Published
2025-04-01
DOI
https://doi.org/10.1017/rrc.2025.5
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Between Voice(lessness), Silence, and Noise: Sonic Reconstruction of the Asylum Seekers’ Paradigm

Chrysi Kyratsou
Royal Musical Association Research Chronicle
Music History and Culture
article

Between Voice(lessness), Silence, and Noise: Sonic Reconstruction of the Asylum Seekers’ Paradigm

Chrysi Kyratsou
article en

Abstract

Abstract This article is structured around snapshots of everyday life in reception centres for asylum seekers. These set the tone of the sonic and affective dimensions of the experience of the centre, as narrated by a resident, a music teacher, and through ethnographic reflections. The article devises ‘voice’ as a distinct category of the sonic spectrum, imbued with the significance of testifying to human existence, in a twofold way: first as a theoretical lens that offers new perspectives on the asylum seekers’ paradigm, and second, as a methodological tool to gain insights into aspects of everyday life in a reception centre, and by extension gaining access into ‘other’ social worlds that would otherwise remain concealed.

Royal Musical Association Research ChronicleVol. 56
Immaculata University (US), University of Limerick (IE)
Openalex Percentile: Top 88%
Music History and Culture
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