Creating a methodological model for a new visual representation in post-war urban analysis

Purpose This conceptual paper aims at creating a theoretical model in art and architectural concepts and applying it to a new visual language, Topographical Analysis, that focuses on direct human experience through artistic endeavours of Jill Alexandria, as she depicts the metamorphosis of Beirut’s urban landscape. Design/methodology/approach A transdisciplinary literature review was conducted to formulate a hypothesis that understanding the intrinsic nature of the “idea” is essential in shaping the architectural concept. The examination of this hypothesis is strengthened through empirical evidence in the form of visual output, characterised by abstraction. The visual representation, distinctive for being original work, is further described and explored utilising primary and secondary resources. Findings The theoretical conceptual model formed of a triad of pillars, the nature of the idea, entropy in nature and humans as an intricate part of nature, is prescriptive to hands-on, experiential approach in the process of creation. The created visual interpretation contributes to enhancing societal awareness and cultural appreciation, advocating the importance of physicality and expression of reality. Originality/value The study offers a philosophical approach to rethinking the nature of the idea in art and architecture. By emphasising the creation and integration of empirical evidence, the research promotes experiential learning, which aligns with sustainable development goal (SDG) 4: quality education. Furthermore, by exploring the contextual dimensions of the artwork and advocating for tangible tools, the research contributes to discussions around sustainable urban development, cultural preservation and community engagement within cities like Beirut, thus aligning with SDG 11: sustainable cities and communities.