Doing the work: embodied cognition, ecological psychology, and screen actor training

Regarding acting and its training as a situated activity, best apprehended through an ecological, embodied focus on mutually constitutive interactions between the actor's mind, body, and performance environment, in this work we formally examine the development of undergraduate actors' performative skills – and requisite mental and physical resources – within an undergraduate pedagogical training program in screen acting. In meeting the actor's basic responsibility – the achievement of performative reality effects – successful actors must concretely demonstrate several core competencies based on situation-specific, task-oriented activities – demonstrable skills amenable to practical instruction and assessment within the classroom as well as to theoretical scrutiny from a pragmatic psychological perspective. Our interdisciplinary research program details the instruction and acquisition of a core set of aptitudes essential to the screen actor's successful engagement with the constraints and opportunities of a demanding, medium-specific production environment.

Authors

Publication Details

Journal
Theatralia
Published
2025-01-01
DOI
https://doi.org/10.5817/ty2025-1-4
Primary Topic
Action Observation and Synchronization
Type
article
Field-Weighted Citation Impact
0.00

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article

Doing the work: embodied cognition, ecological psychology, and screen actor training

Javid Sadr, Douglas MacArthur, Aaron Taylor
Theatralia
Action Observation and Synchronization
article

Doing the work: embodied cognition, ecological psychology, and screen actor training

Javid Sadr, Douglas MacArthur, Aaron Taylor
article en

Abstract

Regarding acting and its training as a situated activity, best apprehended through an ecological, embodied focus on mutually constitutive interactions between the actor's mind, body, and performance environment, in this work we formally examine the development of undergraduate actors' performative skills – and requisite mental and physical resources – within an undergraduate pedagogical training program in screen acting. In meeting the actor's basic responsibility – the achievement of performative reality effects – successful actors must concretely demonstrate several core competencies based on situation-specific, task-oriented activities – demonstrable skills amenable to practical instruction and assessment within the classroom as well as to theoretical scrutiny from a pragmatic psychological perspective. Our interdisciplinary research program details the instruction and acquisition of a core set of aptitudes essential to the screen actor's successful engagement with the constraints and opportunities of a demanding, medium-specific production environment.

Theatralia(1)
University of Lethbridge
Openalex Percentile: Top 87%
Action Observation and Synchronization
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