The Influence of Regionalism on Post-Impressionism

作为法国十九世纪重要的艺术流派，后印象派的形成和发展与社会历史文化的影响是分不开的，更多地是与地域因素紧密联系在一起的。由于受到不同的自然景观、历史背景和社会文化的影响，后印象派画家们的绘画题材、内容、画风各不相同，因而使后印象派的艺术内容得到了极大的充实。具有强烈主观性的后印象派艺术所特有的色彩语言以几何化、抽象化的艺术效果通过其独特的色彩语言确立了后印象派造型形象的稳定感和结构感。基于此本文以后印象派绘画为主题，以地域性对后印象派的影响为主要研究方向，运用文献研究法、作品分析法、跨学科研究法等，对后印象派绘画风格在不同地域上受到的影响进行分析，以梵高、塞尚、高更三位具有代表性的画家为案例，分析后印象派画家如何受地域因素的影响并在自己的艺术作品中融入地域因素，从而形成独特的艺术风格，同时也分析了后印象派画家在艺术上的贡献与价值。As an important art school in France in the 19th century, the formation and development of Post-Impressionism cannot be separated from the influence of social history and culture, and is closely related to regional factors. Many painters of Post-Impressionism came from different countries, because they were influenced by different natural landscapes, historical backgrounds and social cultures, so the themes, contents and styles of their paintings were different, which greatly enriched the artistic content of Post-Impressionism. The unique color language of Post-Impressionist art is strongly subjective, and through its unique color language, it establishes a sense of stability and post-Impressionist modeling image, with geometric and abstract artistic effects. Based on this, this paper takes Post-Impressionist paintings as the theme, takes the influence of geography on Post-Impressionism as the main research direction, and uses the literature research method, work analysis method and interdisciplinary research method to analyze the influence of different geographic regions on Post-Impressionist painting style. Taking three representative painters, Van Gogh, Cezanne and Gauguin, as case studies, we specifically analyze how Post-Impressionist painters were influenced by regional factors and integrated regional factors into their art works, forming a unique artistic style, and also analyze the tribute and value of Post-Impressionist art.