The Pictorial Trapezoid

Generative AI is rapidly being adopted in diverse research contexts that, given the specificity of theoretical frameworks and research objectives, require a high degree of semiotic precision in AI output. With text-to-image generative models, the selection of subject matter and subsequent stylistic variation both have the potential to influence measurable desired outcomes. A major challenge in using generative models in design research is achieving a form of fidelity between a visual representation and a corresponding concept that must be conveyed. Scott McCloud’s Big Triangle categorizes a broad range of visual representational stylistic variation, largely based on comic art. We extend McCloud’s work with a more systematically described framework called the Pictorial Trapezoid, which offers greater control in producing new pictures with generative AI. We provide a case study of the process by which we developed the Pictorial Trapezoid, and demonstrate its efficacy for an additional two research use cases. In each case we differentiate project-specific criteria for selecting what is being represented and visualizing that selection. Finally, we describe how an AI might be trained for semiotic precision in distinct research contexts using the Pictorial Trapezoid.

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Publication Details

Journal
Visible Language
Published
2025-05-28
DOI
https://doi.org/10.34314/9q63c849
Primary Topic
Mathematics and Applications
Type
article
Field-Weighted Citation Impact
0.00
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article

The Pictorial Trapezoid

Ashley Anderson, Kayla Rondinelli, Matthew Peterson, H. L. Armstrong
Visible Language
Mathematics and Applications
article

The Pictorial Trapezoid

Ashley Anderson, Kayla Rondinelli, Matthew Peterson, H. L. Armstrong
article en

Abstract

Generative AI is rapidly being adopted in diverse research contexts that, given the specificity of theoretical frameworks and research objectives, require a high degree of semiotic precision in AI output. With text-to-image generative models, the selection of subject matter and subsequent stylistic variation both have the potential to influence measurable desired outcomes. A major challenge in using generative models in design research is achieving a form of fidelity between a visual representation and a corresponding concept that must be conveyed. Scott McCloud’s Big Triangle categorizes a broad range of visual representational stylistic variation, largely based on comic art. We extend McCloud’s work with a more systematically described framework called the Pictorial Trapezoid, which offers greater control in producing new pictures with generative AI. We provide a case study of the process by which we developed the Pictorial Trapezoid, and demonstrate its efficacy for an additional two research use cases. In each case we differentiate project-specific criteria for selecting what is being represented and visualizing that selection. Finally, we describe how an AI might be trained for semiotic precision in distinct research contexts using the Pictorial Trapezoid.

Visible LanguageVol. 57(3)
North Carolina State University (US)
Openalex Percentile: Top 83%
Mathematics and Applications
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The Pictorial Trapezoid — Ashley Anderson, Kayla Rondinelli, et al. · Visible Language (2025) | TGRS Research Map | TGRS