«Il mostro di cemento a fauci spalancate». Halldór Laxness e l’impatto della <i>steinsteypa</i> nelle campagne islandesi

In the first decades of the twentieth century, prosperity in Iceland prompted the use of concrete to replace peat as the most common building material for farmhouses. Thanks to a technical office sponsored by the Rural Bank, the construction of concrete country houses was gradually standardised. The article analyses these new policies as described in Halldór Laxness’s novel Sjálfstætt fólk (1934-35; Independent People), in which Bjartur, a farmer living in the Icelandic highlands, decides to build himself a concrete house: his ambitious project clashes with the country’s merciless environmental conditions and the incompetence of some local workers. Between nostalgia for the past and hopes for a better future, concrete farmhouses herald modernity but, according to Laxness, look like the ruins of a shelled building.

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Publication Details

Journal
Annali di Ca’ Foscari Serie occidentale
Published
2025-05-27
DOI
https://doi.org/10.30687/annoc/2499-1562/2025/13/009
Primary Topic
Urban Development and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
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article

«Il mostro di cemento a fauci spalancate». Halldór Laxness e l’impatto della steinsteypa nelle campagne islandesi

Sofia Nannini, Silvia Cosimini
Annali di Ca’ Foscari Serie occidentale
Urban Development and Cultural Heritage
article

«Il mostro di cemento a fauci spalancate». Halldór Laxness e l’impatto della steinsteypa nelle campagne islandesi

Sofia Nannini, Silvia Cosimini
article en

Abstract

In the first decades of the twentieth century, prosperity in Iceland prompted the use of concrete to replace peat as the most common building material for farmhouses. Thanks to a technical office sponsored by the Rural Bank, the construction of concrete country houses was gradually standardised. The article analyses these new policies as described in Halldór Laxness’s novel Sjálfstætt fólk (1934-35; Independent People), in which Bjartur, a farmer living in the Icelandic highlands, decides to build himself a concrete house: his ambitious project clashes with the country’s merciless environmental conditions and the incompetence of some local workers. Between nostalgia for the past and hopes for a better future, concrete farmhouses herald modernity but, according to Laxness, look like the ruins of a shelled building.

Annali di Ca’ Foscari Serie occidentale(2)
Politecnico di Torino (IT), University of Milan (IT)
Openalex Percentile: Top 85%
Urban Development and Cultural Heritage
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