‘Did I Ever Leave You?’: Site-Responsive Scenography in Druid's <i>Waiting for Godot</i> (2016)

Focusing on the case study of Druid's Unusual Rural Tour of Samuel Beckett's Waiting for Godot (2016), this article explores how Druid use site-responsive scenography to engage the histories and cultural legacies of the Inis Meáin landscape. In doing so, the themes of class and starvation in Beckett's Godot are recontextualised within the barren performance site, thus creating allusions to the Irish Potato Famine. The use of site in this way, as audience questionnaires attest, invites an audience to bring their own memories, knowledge and feelings about the site, both perceived and conceived, and utilise this in their meaning-making process.

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Publication Details

Journal
Irish University Review
Published
2025-05-01
DOI
https://doi.org/10.3366/iur.2025.0708
Primary Topic
Samuel Beckett and Modernism
Type
article
Field-Weighted Citation Impact
0.00
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article

‘Did I Ever Leave You?’: Site-Responsive Scenography in Druid's Waiting for Godot (2016)

Chloé Duane
Irish University Review
Samuel Beckett and Modernism
article

‘Did I Ever Leave You?’: Site-Responsive Scenography in Druid's Waiting for Godot (2016)

Chloé Duane
article en

Abstract

Focusing on the case study of Druid's Unusual Rural Tour of Samuel Beckett's Waiting for Godot (2016), this article explores how Druid use site-responsive scenography to engage the histories and cultural legacies of the Inis Meáin landscape. In doing so, the themes of class and starvation in Beckett's Godot are recontextualised within the barren performance site, thus creating allusions to the Irish Potato Famine. The use of site in this way, as audience questionnaires attest, invites an audience to bring their own memories, knowledge and feelings about the site, both perceived and conceived, and utilise this in their meaning-making process.

Irish University ReviewVol. 55(1)
University of Reading (GB)
Openalex Percentile: Top 88%
Samuel Beckett and Modernism
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