DISCOURSE OF ORIENTALISM THROUGH THE IDENTITY PRISM IN ANGELA CARTER’S POSTMODERN WRITINGS

Adnotacja.Celem artykuu jest zbadanie koncepcji kultury japoskiej, zawartej w zbiorach krtkich opowiada i esejw brytyjskiej pisarki postmodernistycznej A. Carter ("Fireworks" (1974) i "Nothing Sacred" (1972),), zainspirowanych jej pobytem w Japonii.Specyfika twrczoci autorki polega na analizie dwch odmiennych wiatw -Wschodu i Zachodu -

Authors

Nadiya Polishchuk (ORCID: https://orcid.org/0009-0007-6161-1955)

Publication Details

Journal: KELM (Knowledge Education Law Management)
Published: 2025-01-01
DOI: https://doi.org/10.51647/kelm.2025.1.11
Primary Topic: Globalization and Cultural Identity
Type: article
Field-Weighted Citation Impact: 0.00

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article

DISCOURSE OF ORIENTALISM THROUGH THE IDENTITY PRISM IN ANGELA CARTER’S POSTMODERN WRITINGS

Nadiya Polishchuk

Jan 1, 2025

KELM (Knowledge Education Law Management)

Globalization and Cultural Identity

article

DISCOURSE OF ORIENTALISM THROUGH THE IDENTITY PRISM IN ANGELA CARTER’S POSTMODERN WRITINGS

Nadiya Polishchuk

January 1, 2025article en

Abstract

KELM (Knowledge Education Law Management)(1 (69))

Openalex Percentile: Top 85%

Globalization and Cultural Identity

DOI Open Access PDF OpenAlex

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DISCOURSE OF ORIENTALISM THROUGH THE IDENTITY PRISM IN ANGELA CARTER’S POSTMODERN WRITINGS — Nadiya Polishchuk · KELM (Knowledge Education Law Management) (2025) | TGRS Research Map | TGRS