Remembering The Civil War in Today’s Lebanese Cinema

In the aftermath of the civil war, memory and trauma are a prominent thema in Lebanese cinema. This study aims to explore how the civil war is remembered through cinema in contemporary Lebanese cinema, based on an analysis of the films Where Do We Go Now?, Tramontane, The Insult and Memory Box. These films, selected from among the films made in Lebanon after 2010 by Lebanese directors and dealing with the civil war, were analysed through descriptive analysis under the themes of past, identity, trauma and space. The films under scrutiny serve as conduits for the articulation of remembrance, both as a means of confronting past traumas and of reflecting upon the present. The act of remembering the past and confronting traumas is rendered through the medium of personal recollections by the directors, thus creating a narrative of collective memory. When the subject of the civil war is represented in films, it is commonly remembered as “the past in the present”.

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Publication Details

Journal
CINEJ Cinema Journal
Published
2025-05-27
DOI
https://doi.org/10.5195/cinej.2025.714
Citations
1
Primary Topic
Middle East Politics and Society
Type
article
Field-Weighted Citation Impact
4.20
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article

Remembering The Civil War in Today’s Lebanese Cinema

Sırrı Serhat Serter, Gökhan Evecen
1 citations
CINEJ Cinema Journal
Middle East Politics and Society
4.20
article

Remembering The Civil War in Today’s Lebanese Cinema

Sırrı Serhat Serter, Gökhan Evecen
article en
1 citations

Abstract

In the aftermath of the civil war, memory and trauma are a prominent thema in Lebanese cinema. This study aims to explore how the civil war is remembered through cinema in contemporary Lebanese cinema, based on an analysis of the films Where Do We Go Now?, Tramontane, The Insult and Memory Box. These films, selected from among the films made in Lebanon after 2010 by Lebanese directors and dealing with the civil war, were analysed through descriptive analysis under the themes of past, identity, trauma and space. The films under scrutiny serve as conduits for the articulation of remembrance, both as a means of confronting past traumas and of reflecting upon the present. The act of remembering the past and confronting traumas is rendered through the medium of personal recollections by the directors, thus creating a narrative of collective memory. When the subject of the civil war is represented in films, it is commonly remembered as “the past in the present”.

CINEJ Cinema JournalVol. 13(1)
Television Research Institute (RU), Akdeniz University Hospital (TR)
Openalex Percentile: Top 8%
Middle East Politics and Society
4.20
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