Hidden faces: A genealogy of Hollywood’s Dr Jekyll and Mr Hyde

This article explores a genealogy of men associated with Jekyll/Hyde in the first 50 years of the story’s existence. This leads from the creator, Robert Louis Stevenson to theatre actor Richard Mansfield and then to three film stars who took on the role in Hollywood: John Barrymore, Fredric March and Spencer Tracy. I argue that each of these men has to build on the legend of the one that preceded them, thereby expressing a changing sense of human identity. From Stevenson’s original concept of character as ‘not one but two’ to a final understanding, in the 1942 version of ‘not two but one’, through a focus on contemporary responses and the films and advertising strategies, I explore this shift in perception.

Authors

Publication Details

Journal
Journal of Adaptation in Film & Performance
Published
2025-03-01
DOI
https://doi.org/10.1386/jafp_00125_1
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Hidden faces: A genealogy of Hollywood’s Dr Jekyll and Mr Hyde

Carolyn Owen-King
Journal of Adaptation in Film & Performance
Cinema and Media Studies
article

Hidden faces: A genealogy of Hollywood’s Dr Jekyll and Mr Hyde

Carolyn Owen-King
article en

Abstract

This article explores a genealogy of men associated with Jekyll/Hyde in the first 50 years of the story’s existence. This leads from the creator, Robert Louis Stevenson to theatre actor Richard Mansfield and then to three film stars who took on the role in Hollywood: John Barrymore, Fredric March and Spencer Tracy. I argue that each of these men has to build on the legend of the one that preceded them, thereby expressing a changing sense of human identity. From Stevenson’s original concept of character as ‘not one but two’ to a final understanding, in the 1942 version of ‘not two but one’, through a focus on contemporary responses and the films and advertising strategies, I explore this shift in perception.

Journal of Adaptation in Film & PerformanceVol. 18(1)
Openalex Percentile: Top 83%
Cinema and Media Studies
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